Translating modernism : Fitzgerald and Hemingway
Author(s)
Bibliographic Information
Translating modernism : Fitzgerald and Hemingway
University of Alabama Press, c2009
- : cloth
- : [pbk]
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Note
Includes bibliographical references (p. [91]-96) and index
Description and Table of Contents
- Volume
-
: cloth ISBN 9780817316471
Description
In ""Translating Modernism"", Ronald Berman continues his career-long study of the ways that intellectual and philosophical ideas informed and transformed the work of America's major modernist writers. Here Berman shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and that left distinctive marks on their entire oeuvres. Specifically, Berman addresses the idea of 'translating' or 'translation' - for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cezanne. Though each writer had distinct interests and different intellectual problems to wrestle with, as Berman demonstrates, both wrestled with transmuting some outside influence and making it their own.
- Volume
-
: [pbk] ISBN 9780817356651
Description
In Translating Modernism Ronald Berman continues his career-long study of the ways that intellectual and philosophical ideas informed and transformed the work of America's major modernist writers.Here Berman shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and which left distinctive marks on their entire oeuvres. Specifically, Berman addresses the idea of "translating" or "translation"--for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cezanne.Though each writer had distinct interests and different intellectual problems to wrestle with, as Berman demonstrates, both had to wrestle with transmuting some outside influence and making it their own.
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