The Russian memoir : history and literature
著者
書誌事項
The Russian memoir : history and literature
(Studies in Russian literature and theory)
Northwestern University Press, [2007]
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First paperback printing 2007"--T.p. verso
Includes bibliographic references (p. 206-209) and index
HTTP:URL=http://www.loc.gov/catdir/bios/nwern051/2002154753.html Information=Contributor biographical information
HTTP:URL=http://www.loc.gov/catdir/toc/nwern031/2002154753.html Information=Table of contents
内容説明・目次
内容説明
Throughout the development of modern Russian society, the memoir, with its dual agendas of individualized expression and reliable report-age, has maintained a popular and abiding national genre ""contract"" between Russian writers and readers. The essays in this volume seek to appreciate the literary construction of this much read, yet little analyzed, form and to explore its functions as interpretive history, social modelling, and political expression in Russian culture. The memoirs under scrutiny range widely, including those of the ""private person"" Princess Natalia Dolgorukaia, sophisticated high culture writers (Nikolai Zabolotskii, Vladimir Nabokov, Joseph Brodsky), cultural critics and facilitators (Lidiia Ginzburg, Avdot'ia Panaeva), political dissidents (Evgeniia Ginzburg, Elena Bonner), and popular artists (filmmaker El'dar Riazanov). The contributors examine each memoir for its aesthetic and rhetorical features as well as its cultural circumstances. In mapping the memoir's social and historical significance, the essays consider a wide range of influences and issues, including the specific impact of the author's class, gender, ideology, and life experience on his/her ""witnessing"" of Russian culture and society. These essays also investigate how the memoir is shaped, conceptually and formally, by contemporary notions of history and the individual's role in making and relaying it. Overall, this volume shows how the Russian memoir specifically compares with and complements the writing of Russian fiction and Russian history, helping readers to appreciate and interpret the most popular form of authoritative ""nonfiction"" in modern Russian society.
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