American cinema of the 1920s : themes and variations
Author(s)
Bibliographic Information
American cinema of the 1920s : themes and variations
(Screen decades)
Rutgers University Press, c2009
- : pbk
- : hbk
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Note
Chronology: p. xi-xv
Includes bibliographical references (p. 263-274) and index
Description and Table of Contents
- Volume
-
: hbk ISBN 9780813544847
Description
During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to 'race films') appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy. In ten original essays, ""American Cinema of the 1920s"" examines the film industry's continued growth and prosperity while focusing on important themes of the era. Some of the films discussed in this volume include: ""Flesh and the Devil"", ""Applause"", ""The Jazz Singer"", ""Salome"", ""The Affairs of Anatol"", and ""The Electric House"".
- Volume
-
: pbk ISBN 9780813544854
Description
During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy.In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.
Table of Contents
Acknowledgments
Timeline: The 1920s
Introduction The Twenties and Cinema, Lucy Fischer
1920 Movies, Margarine and Main Street, Michael Aronson
1921 Movies and Personality, Mark Lynn Anderson
1922 Movies and the Perilous Future, Sara Ross
1923 Movies and the Changing Body Of Cinema, Marcia Landy
1924 Movies and Play, Jennifer M. Bean
1925 Movies and a Year of Change, Gwenda Young
1926 Movies and Divine Stars, Defining Gender, Maureen Turim
1927 Movies and the New Woman as Consumer, Sumiko Higashi
1928 Movies, Social Conformity, and Imminent Traumas, Angela Dalle Vacche
1929 Crashes and Finales, Lucy Fischer
Select Academy Awards, 1927-1929
Works Cited and Consulted
Contributors
Index
by "Nielsen BookData"