The natural musician : on abilities, giftedness, and talent

著者

    • Kirnarskai︠a︡, Dina

書誌事項

The natural musician : on abilities, giftedness, and talent

Dina Kirnarskaya ; translated from Russian by Mark H. Teeter

Oxford University Press, 2009

タイトル別名

Музыкальные способности

Muzykalʹnye sposobnosti

大学図書館所蔵 件 / 全1件

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注記

Includes bibliographical references (p. [371]-400) and index

内容説明・目次

内容説明

One of the great mysteries of music is how it affects us in multitude of ways. Whether talking about our individual tastes as listeners, or individual differences as performers, what are the psychological qualities that can turn some people into great musicians, but not others? Is it down to genes, sheer hard work, or some other quality in the individual? 'The Natural Musician' is the story of how we become composers, performers, or just discriminating listeners. It searches for those psychological traits essential for turning one into a musician. Unlike many others, Kirnarskaya does believe in the existence of talent, but argues that it is due to multiplicative factors, which she describes, analyses, and shows how to test. She also sheds light on the essence and origins of perfect pitch, examines the triumphs and tortures of musical prodigies, and considers the implications of her theories for the teaching of music. After a foreword from the legendary conductor, Gennady Rozhdestvensky the book looks at our basic musical faculties - how we perceive sounds, distinguish their pitch and structure, and recognise rhythm. It then examines the nature of musical empathy - what it is that allows us to perceive and emotionally connect with music. The second part of the book focuses on the creative processes behind writing music. The third section deals with music education, looking at the role of innate and inherited characteristics in the formation of talent, and considering why many who excel at an early age, burn out later on. The book ends exploring how musical development can shape the human brain, strengthening other cognitive faculties, including those unrelated to music. This is a book that will fascinate anyone with an interest in music and musicians, from the fields of music psychology and education, to musicians themselves, whether amateur and professional

目次

  • Foreword by Gennady Rozhdestvensky
  • MUSICAL ABILITIES
  • The expressive ear for music
  • The sense of rhythm
  • The analytical ear
  • MUSICAL GIFTEDNESS
  • The giftedness of the composer
  • The giftedness of the performer
  • THE STRUCTURE OF MUSICAL TALENT
  • THE EDUCATION OF THE MUSICIAN
  • Musical talent and heredity
  • Teacher and pupil
  • The phenomenon of the musical wunderkind
  • Homo Musicus

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