Cuba and its music : from the first drums to the mambo
Author(s)
Bibliographic Information
Cuba and its music : from the first drums to the mambo
Chicago Review Press, c2004
- : cloth
- : pbk
Available at 4 libraries
Note
"An a cappella book"
Includes bibliographical references (p. 615-644) and index
Description and Table of Contents
Description
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making a case for Cuba as fundamental to the evolution of music in the New World. Revealed are how the music of black slaves transformed 16th-century Europe, how the claves appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, Vodu, and much more.
Table of Contents
- Preface
- Introduction: Ride the High Country or "They Went Thataway"
- Cowboy Codes: Straight & Pure & All Boy
- When We were Young: Nostalgia & the Cowboy Hero
- Arms & the Man: The Friendly Gun
- Give Me My Boots & Saddles: Camp Cowboy
- Tall in the Saddle: Romance on the Range
- White Hats & White Heroes: Who Is That Other Guy?
- Virgin Land: Landscape, Nature, & Masculinity
- Corporate Cowboys & the Shaping of a Nation
- Postscript - The Frontiersman (1938)
- List of Films Mentioned
- References
- Index.
by "Nielsen BookData"