Visioning eternity : aesthetics, politics, and history in the early modern Noh theater
Author(s)
Bibliographic Information
Visioning eternity : aesthetics, politics, and history in the early modern Noh theater
(Cornell East Asia series, 138)
East Asia Program, Cornell University, c2008
- : hbk
- : pb
Available at 10 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 297-306
Includes index
Description and Table of Contents
Description
In one of the more remarkable public events of the Tokugawa world, the shogun responded to a deepening crisis in 1840s by sponsoring a huge, "once-in-a-generation" noh performance-the largest performance ever held. This is the first Western language book on Edo period noh and its use by the shogun, an essential addition to the scholarship in Japanese theater and the cultural history of early modern Japan.
by "Nielsen BookData"