Foundation : b-boys, b-girls, and hip-hop culture in New York
著者
書誌事項
Foundation : b-boys, b-girls, and hip-hop culture in New York
Oxford University Press, 2009
- : pbk
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注記
Bibliography: p. 167-172
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780195334050
内容説明
B-boying is a form of Afro-diasporic competitive dance that developed in the Bronx, NY in the early 1970s. Widely - though incorrectly - known as "breakdancing," it is often dismissed as a form of urban acrobatics set to music. In reality, however, b-boying is a deeply traditional and profoundly expressive art form that has been passed down from teacher to student for almost four decades. Foundation: B-boys, B-girls and Hip-Hop Culture in New York offers the
first serious study of b-boying as both unique dance form and a manifestation of the most fundamental principles of hip-hop culture. Drawing on anthropological and historical research, interviews and personal experience as a student of the dance, Joseph Schloss presents a nuanced picture of b-boying and its
social context. From the dance's distinctive musical repertoire and traditional educational approaches to its complex stylistic principles and secret battle strategies, Foundation illuminates a previously unexamined thread in the complex tapestry that is contemporary hip-hop.
目次
- ACKNOWLEDGMENTS
- COMMUNITY, AND CLASSIC B-BOY RECORDS
- NOTES
- BIBLIOGRAPHY
- INDEX
- 巻冊次
-
: pbk ISBN 9780195334067
内容説明
B-boying is a form of Afro-diasporic competitive dance that developed in the Bronx, NY in the early 1970s. Widely - though incorrectly - known as "breakdancing," it is often dismissed as a form of urban acrobatics set to music. In reality, however, b-boying is a deeply traditional and profoundly expressive art form that has been passed down from teacher to student for almost four decades. Foundation: B-boys, B-girls and Hip-Hop Culture in New York offers the
first serious study of b-boying as both unique dance form and a manifestation of the most fundamental principles of hip-hop culture. Drawing on anthropological and historical research, interviews and personal experience as a student of the dance, Joseph Schloss presents a nuanced picture of b-boying and its
social context. From the dance's distinctive musical repertoire and traditional educational approaches to its complex stylistic principles and secret battle strategies, Foundation illuminates a previously unexamined thread in the complex tapestry that is contemporary hip-hop.
目次
- ACKNOWLEDGMENTS
- NOTES
- BIBLIOGRAPHY
- INDEX
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