Reality bites : making avant-garde art in post-wall Germany Kunst nach dem Mauerfall
著者
書誌事項
Reality bites : making avant-garde art in post-wall Germany = Kunst nach dem Mauerfall
Hatje Cantz , Mildred Lane Kemper Art Museum, c2007
- タイトル別名
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Making avant-garde art in post-wall Germany
Kunst nach dem Mauerfall
大学図書館所蔵 全2件
注記
Catalog of an exhibition with the same title, held Feb. 9-Apr. 29, 2007 at the Mildred Lane Kemper Art Museum, Washington University, St. Louis, Mo., and May 20-Sept. 2, 2007 at the Opelvillen, Rüsselsheim, Germany
In English with parallel translations in German
Includes bibliographical references and index
内容説明・目次
内容説明
The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany. Reality Bites investigates the effect of that historical context, identifying the new kinds of work that have grown out of it, full of strategies and materials borrowed from and referring back to one kind of recent German reality or another, aesthetic exploration of experience in which the themes of reality and history take on increased meaning. This representative selection of about 70 pieces created since 1989 includes work from Franz Ackermann, Kutlug Ataman, Sophie Calle, Tacita Dean, Thomas Demand, Sabine Hornig, Christian Jankowski, Andr Korpys, Markus L ffler, Via Lewandowsky, rude_architecture, Gregor Schneider, Collier Schorr, Wolfgang Tillmans. Among those less known to U.S. audiences are Cosima von Bonin, born in Kenya, who plays curator, critic, DJ and producer in the course of her sometimes risqu work; Rudolf Herz, whose Lenin on tour put busts of the great leader on the back of a flatbed and took them on the road; and Renata Stih and Frieder Schnock, whose "Places of Remembrance," in Berlin's Bavarian Quarter and "Bus Stop," Holocaust Memorial project build the city's history into its streetscape.
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