American cinema of the 1910s : themes and variations

著者

書誌事項

American cinema of the 1910s : themes and variations

edited by Charlie Keil and Ben Singer

（Screen decades）

Rutgers University Press, c2009

  • : hardcover
  • : pbk

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注記

Chronology: p. ix-xii

Includes bibliographical references (p. 253-260) and index

内容説明・目次

巻冊次

: hardcover ISBN 9780813544441

内容説明

It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.
巻冊次

: pbk ISBN 9780813544458

内容説明

It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood.The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.

目次

Introduction : Movies and the 1910s / Ben Singer and Charlie Keil 1910 : Movies, reform, and new women / Scott Simmon 1911 : Movies and the stability of the institution / EIleen Bowser 1912 : Movies, innovative nostalgia, and real-life threats / Richard Abel 1913 : Movies and the beginning of a new era / Charlie Keil 1914 : Movies and cultural hierarchy / Rob King 1915 : Movies and the state of the union / Lee Grieveson 1916 : Movies and the ambiguities of progressivism / Shelley Stamp 1917 : Movies and practical patriotism / Leslie Midkiffe DeBauche 1918 : Movies, propaganda, and entertainment / James Latham 1919 : Movies and righteous Americanism / Ben Singer

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