American cinema of the 1910s : themes and variations
著者
書誌事項
American cinema of the 1910s : themes and variations
(Screen decades)
Rutgers University Press, c2009
- : hardcover
- : pbk
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Chronology: p. ix-xii
Includes bibliographical references (p. 253-260) and index
内容説明・目次
- 巻冊次
-
: hardcover ISBN 9780813544441
内容説明
It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.
- 巻冊次
-
: pbk ISBN 9780813544458
内容説明
It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood.The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.
目次
Introduction : Movies and the 1910s / Ben Singer and Charlie Keil
1910 : Movies, reform, and new women / Scott Simmon
1911 : Movies and the stability of the institution / EIleen Bowser
1912 : Movies, innovative nostalgia, and real-life threats / Richard Abel
1913 : Movies and the beginning of a new era / Charlie Keil
1914 : Movies and cultural hierarchy / Rob King
1915 : Movies and the state of the union / Lee Grieveson
1916 : Movies and the ambiguities of progressivism / Shelley Stamp
1917 : Movies and practical patriotism / Leslie Midkiffe DeBauche
1918 : Movies, propaganda, and entertainment / James Latham
1919 : Movies and righteous Americanism / Ben Singer
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