Black behind the ears : Dominican racial identity from museums to beauty shops

著者

    • Candelario, Ginetta E. B.

書誌事項

Black behind the ears : Dominican racial identity from museums to beauty shops

Ginetta E.B. Candelario

Duke University Press, 2007

  • : cloth
  • : pbk

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注記

Includes bibliographical references (p. [297]-322) and index

HTTP:URL=http://www.loc.gov/catdir/toc/ecip0716/2007017114.html Information=Table of contents only

内容説明・目次

巻冊次

: cloth ISBN 9780822340188

内容説明

Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic's history, the national body has been defined as "not black," even as black ancestry has been grudgingly acknowledged. Rejecting simplistic explanations, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be both indigenous to the Republic (indios) and "Hispanic." Both indigeneity and Hispanicity have operated as vehicles for asserting Dominican sovereignty in the context of the historically triangulated dynamics of Spanish colonialism, Haitian unification efforts, and U.S. imperialism. Candelario shows how the legacy of that history is manifest in contemporary Dominican identity discourses and displays, whether in the national historiography, the national museum's exhibits, or ideas about women's beauty. Dominican beauty culture is crucial to efforts to identify as "indios" because, as an easily altered bodily feature, hair texture trumps skin color, facial features, and ancestry in defining Dominicans as indios.Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives.

目次

Figures and Tables ix Acknowledgments xi Introduction. "We Declare That We Are Indians": Dominican Identity Displays and Discourses in Travel Writing, Museums, Beauty Shops, and Bodies 1 1. "It Is Said That Haiti Is Getting Blacker and Blacker": Traveling Narratives of Dominican Identity 35 2. "The Africans have No [Public] History": The Museo del Hombre Dominicano and Indigenous Displays of Dominican Identity 83 3. "I Could Go the African American Route": Dominicans in the Black Mosaic of Washington, D.C. 129 4. "They Are Taken into Account for Their Opinions": Making Community and Displaying Identity at a Dominican Beauty Shop in New York City 177 5. "Black Women are Confusing, but the Hair Lets You Know": Perceiving the Boundaries of Dominicanidad 223 Conclusion: "Black Behind the Ears, and Up Front, Too": Ideological Code Switching and Ambiguity in Dominican Identities 256 Notes 265 References 297 Index 323
巻冊次

: pbk ISBN 9780822340379

内容説明

Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic’s history, the national body has been defined as “not black,” even as black ancestry has been grudgingly acknowledged. Rejecting simplistic explanations, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be both indigenous to the Republic (indios) and “Hispanic.” Both indigeneity and Hispanicity have operated as vehicles for asserting Dominican sovereignty in the context of the historically triangulated dynamics of Spanish colonialism, Haitian unification efforts, and U.S. imperialism. Candelario shows how the legacy of that history is manifest in contemporary Dominican identity discourses and displays, whether in the national historiography, the national museum’s exhibits, or ideas about women’s beauty. Dominican beauty culture is crucial to efforts to identify as “indios” because, as an easily altered bodily feature, hair texture trumps skin color, facial features, and ancestry in defining Dominicans as indios.Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives.

目次

Figures and Tables ix Acknowledgments xi Introduction. "We Declare That We Are Indians": Dominican Identity Displays and Discourses in Travel Writing, Museums, Beauty Shops, and Bodies 1 1. "It Is Said That Haiti Is Getting Blacker and Blacker": Traveling Narratives of Dominican Identity 35 2. "The Africans have No [Public] History": The Museo del Hombre Dominicano and Indigenous Displays of Dominican Identity 83 3. "I Could Go the African American Route": Dominicans in the Black Mosaic of Washington, D.C. 129 4. "They Are Taken into Account for Their Opinions": Making Community and Displaying Identity at a Dominican Beauty Shop in New York City 177 5. "Black Women are Confusing, but the Hair Lets You Know": Perceiving the Boundaries of Dominicanidad 223 Conclusion: "Black Behind the Ears, and Up Front, Too": Ideological Code Switching and Ambiguity in Dominican Identities 256 Notes 265 References 297 Index 323

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