Black behind the ears : Dominican racial identity from museums to beauty shops
著者
書誌事項
Black behind the ears : Dominican racial identity from museums to beauty shops
Duke University Press, 2007
- : cloth
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [297]-322) and index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip0716/2007017114.html Information=Table of contents only
内容説明・目次
内容説明
Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic's history, the national body has been defined as "not black," even as black ancestry has been grudgingly acknowledged. Rejecting simplistic explanations, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be both indigenous to the Republic (indios) and "Hispanic." Both indigeneity and Hispanicity have operated as vehicles for asserting Dominican sovereignty in the context of the historically triangulated dynamics of Spanish colonialism, Haitian unification efforts, and U.S. imperialism. Candelario shows how the legacy of that history is manifest in contemporary Dominican identity discourses and displays, whether in the national historiography, the national museum's exhibits, or ideas about women's beauty. Dominican beauty culture is crucial to efforts to identify as "indios" because, as an easily altered bodily feature, hair texture trumps skin color, facial features, and ancestry in defining Dominicans as indios.Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives.
目次
Figures and Tables ix
Acknowledgments xi
Introduction. "We Declare That We Are Indians": Dominican Identity Displays and Discourses in Travel Writing, Museums, Beauty Shops, and Bodies 1
1. "It Is Said That Haiti Is Getting Blacker and Blacker": Traveling Narratives of Dominican Identity 35
2. "The Africans have No [Public] History": The Museo del Hombre Dominicano and Indigenous Displays of Dominican Identity 83
3. "I Could Go the African American Route": Dominicans in the Black Mosaic of Washington, D.C. 129
4. "They Are Taken into Account for Their Opinions": Making Community and Displaying Identity at a Dominican Beauty Shop in New York City 177
5. "Black Women are Confusing, but the Hair Lets You Know": Perceiving the Boundaries of Dominicanidad 223
Conclusion: "Black Behind the Ears, and Up Front, Too": Ideological Code Switching and Ambiguity in Dominican Identities 256
Notes 265
References 297
Index 323
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