Haiku and modernist poetics
著者
書誌事項
Haiku and modernist poetics
Palgrave Macmillan, 2009
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注記
Includes bibliographical references (p. [173]-178) and indexes
内容説明・目次
内容説明
This book examines the genesis and development of haiku in Japan and traces its impact on modernist poetics. This study shows that the most pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses some of the finest haiku written by Jack Kerouac, Richard Wright, Sonia Sanchez, and James Emanuel.
目次
Introduction The Genesis and Development of Haiku in Japan Basho and Haiku Poetics Yone Noguchi and Japanese Poetics W. B. Yeats' Poetics in the Noh Play Ezra Pound, Imagism, and Japanese Poetics Jack Kerouac's Haiku and Beat Poetics Richard Wright's Haiku, Zen, and the African 'Primal Outlook upon Life' Cross-Cultural Poetics: Sonia Sanchez's Like the Singing Coming off the Drums James A. Emanuel's Jazz Haiku
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