Identity, otherness and empire in Shakespeare's Rome
著者
書誌事項
Identity, otherness and empire in Shakespeare's Rome
(Anglo-Italian Renaissance studies series)
Ashgate, c2009
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [207]-222
Includes index
内容説明・目次
内容説明
Contributors to this collection delve into the relationship between Rome and Shakespeare. They view the presence of Rome in Shakespeare's plays not simply as an unquestioned model of imperial culture, or a routine chapter in the history of literary influence, but rather as the problematic link with a distant and foreign ancestry which is both revered and ravaged in its translation into the terms of the Bard's own cultural moment. During a time when England was engaged in constructing a rhetoric of imperial nationhood, the contributors demonstrate that Englishmen used Roman history and the classical heritage to mediate a complex range of issues, from notions of cultural identity and gender to the representation of systems of exchange with Otherness in the expanding ethnic space of the nation. This volume addresses matters of concern not only for Shakespeare scholars but also for students interested in issues connected with gender, postcolonialism and globalization. Drawing implicitly or explicitly on recent criticism (intertextual studies, postcolonial theory, Derrida's conceptualization of hospitality, gender studies, global studies) the essayists explore how the Roman Shakespeare of an emerging early modern empire asks questions of our present as well as of our past.
目次
- Contents: Introduction: performing 'Rome' from the periphery, Maria Del Sapio Garbero
- Part I What Is It To Be a Roman?: Shakespeare's Romulus and Remus: who does the wolf love?, Janet Adelman
- Acting the Roman: Coriolanus, Manfred Pfister
- Antony's ring: remediating ancient rhetoric on the Elizabethan stage, Maddalena Pennacchia
- Other from the body: sartorial metatheatre in Shakespeare's Cymbeline, Paola Colaiacomo
- 'I am more an antique Roman than a Dane': suicide, masculinity, and national identity in Hamlet, Drew Daniel
- Interchapter: Fostering the question' who plays the host?', Maria Del Sapio Garbero. Part II The Theatre of the Empire: Antony and Cleopatra and the overflowing of the Roman measure, Gilberto Sacerdoti
- Romans versus Barbarians: speaking the language of the empire in Titus Andronicus, Barbara Antonucci
- In dialogue with the new: theorizations on the New World in Titus Andronicus, Gilberta Golinelli
- Shakespeare's tales of 2 cities: London and Rome, Carlo Pagetti
- Shakespeare's writing of Rome in Cymbeline, Laura Di Michele
- Shakespeare's Rome in Rome's wooden 'O', Nancy Isenberg
- Coda: 'They that have power': the ethics of the Roman plays, Giorgio Melchiori
- Select bibliography
- Index.
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