Pearl Harbor jazz : change in popular music in the early 1940s
著者
書誌事項
Pearl Harbor jazz : change in popular music in the early 1940s
University Press of Mississippi, c2007
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
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注記
Includes bibliographical references (p. 239-244) and index
内容説明・目次
内容説明
This book is a study of a crucial period in the life of American jazz and popular music. Pearl Harbor Jazz analyses the changes in the world of the professional musician brought about both by the outbreak of World War II and by long-term changes in the music business, in popular taste and in American society itself. It describes how the infrastructure of American music, the interdependent fields of recording, touring, live engagements, radio and the movies, was experiencing change in the conditions of wartime, and how this impacted upon musical styles, and hence upon the later history of popular music. Successive chapters of the book examine the impact of these changed conditions upon the songwriting and music publishing industries, upon the world of the touring big bands, and upon changing conceptions of the role of jazz and popular music. Not only the economic conditions but also ideas were changing; the book traces a movement among writers and critics which created new definitions of 'jazz' and other terms that had a permanent influence on the way musical styles were thought of for the rest of the century. The book deals in some depth with the work of a number of important artists in these various fields, including, Duke Ellington, Charlie Parker, Johnny Mercer and Frank Sinatra, looks at the growing presence of bebop, the rise of country music, and the contemporary musical scenes in such locations as New York and Los Angeles. The book combines detail of the day to day working lives of musicians with challenging views of the long-term development of musical style in jazz and popular music.
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