Paul Gauguin : the breakthrough into modernity
著者
書誌事項
Paul Gauguin : the breakthrough into modernity
Cleveland Museum of Art , Van Gogh Museum , Hatje Cantz, c2009
- :Cleveland Museum hbk
- :Cleveland Museum pbk
- :Van Gogh Museum pbk
- :trade ed
- タイトル別名
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Paul Gaugin : Paris, 1889
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注記
Exhibition catalogue
"Published on the occasion of the exhibition, 'Paul Gauguin: Paris, 1889', The Cleveland Museum of Art, Oct. 4, 2009-Jan. 18, 2010; Van Gogh Museum, Amsterdam, Feb. 19-June 6, 2010, under the title 'Paul Gaugin: The Breakthrough into Modernity'" -- Colophon
Includes bibliographical references (p. 234-237) and index
内容説明・目次
内容説明
In 1889, Paris hosted the legendary Exposition Universelle (World's Fair), a massive cultural exhibition which transformed the face of French culture to come. The Eiffel Tower was built for it, the composer Claude Debussy first heard Javanese music there, and the painter Paul Gauguin (1848-1903), reacting against his exclusion from its arts component, organized an exhibit called L'Exposition de Peintures du Groupe Impressionniste et Synth siste, on the walls of the Caf Volpini, presenting the newest works by himself and his friends. It was the moment at which he "became Gauguin," for it was here that he premiered what is now known as the Volpini Suite, an amazing portfolio of 11 lithographs printed on radiant canary yellow paper, which marked the coalescence of his motifs (the fruitbearers, the mourning Eve, the woman in the waves) and the commencement of his mature style. The Suite also gives a chronicle of Gauguin's travels in Martinique, Brittany and Arles, and records the constellation of the Pont Aven group. Gauguin reconstructs this landmark exhibition, demonstrating the radicality of the works produced by Gauguin and his friends (Charles Laval, L on Fauch , Emile Schuffenecker, Louis Anquetin, Georges Daniel, mile Bernard, Louis Roy and Ludovic Nemo), and examining all paintings, woodcuts, ceramics, prints and drawings by Gauguin related to the show.
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