Remembering cosmopolitan Egypt : literature, culture, and empire

Bibliographic Information

Remembering cosmopolitan Egypt : literature, culture, and empire

Deborah A. Starr

(Routledge studies in Middle Eastern literatures, 21)

Routledge, 2009

  • : hbk

Available at  / 3 libraries

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Note

Includes bibliographical references (p. [180]-190) and index

Description and Table of Contents

Description

Remembering Cosmopolitan Egypt examines the link between cosmopolitanism in Egypt, from the nineteenth century through to the mid-twentieth century, and colonialism. While it has been widely noted that such a relationship exists, the nature and impact of this dynamic is often overlooked. Taking a theoretical, literary and historical approach, the author argues that the notion of the cosmopolitan is inseparable from, and indebted to, its foundation in empire. Since the late 1970s a number of artistic works have appeared that represent the diversity of ethnic, national, and religious communities present in Egypt in the nineteenth and early twentieth centuries. During this period of direct and indirect European domination, the cosmopolitan society evident in these texts thrived. Through detailed analysis of these texts, which include contemporary novels written in Arabic and Hebrew as well as Egyptian films, the implications of the close relationship between colonialism and cosmopolitanism are explored. This comparative study of the contemporary literary and cultural revival of interest in Egypt's cosmopolitan past will be of interest to students of Middle Eastern Studies, Literary and Cultural Studies and Jewish Studies.

Table of Contents

Introduction Part 1: Colonial Anxieties and Cosmopolitan Desires 1. Literary Alexandria 2. Poetics of Memory: Edwar al-Kharrat 3. Polis and Cosmos: Ibrahim Abdel Meguid Part 2: Counterpoint New York 4. Why New York?: Youssef Chahine Part 3: A Mobile Levant 5. Gazing Across Sinai 6. A Mediterranean Vigor that Never Wanes: Yitzhaq Gormezano Goren 7. Unmasking Levantine Blindness: Ronit Matalon. Conclusion

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