Dismantling the dreamfactory : gender, German cinema, and the postwar quest for a new film language
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Bibliographic Information
Dismantling the dreamfactory : gender, German cinema, and the postwar quest for a new film language
（Film Europa : German cinema in an international context, v. 9）
Berghahn Books, 2009
- : hbk
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Note
Includes bibliographical references and index
Contents of Works
- Pt. 1. Relegitimating cinema: female spectators and the problem of representation
- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946)
- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948)
- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film
- Unsolved mysteries: race, ethnicity, and gender in Helmut Kütner's Epilogue (1950)
- Pt. 2. Art on film: representing gender and sexuality in popular cinema
- "Through her eyes": regendering representation in Willi Forst's The sinner (1951)
- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955)
- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (§175) (1957)
- Pt. 3. Towards the new wave: gender and the critique of popular cinema
- Pleasurable negotiations: spectatorship and genre in Helmut Käutner's "Anti-tearjerker" Engagement in Zurich (1957)
- Sound and spectacle in the wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie
- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film
- Epilogue. Adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture