Giorgio Agamben : a critical introduction
著者
書誌事項
Giorgio Agamben : a critical introduction
Stanford University Press, 2009
- : cloth
- : pbk
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注記
Includes bibliographical references (p. [441]-453) and index
内容説明・目次
内容説明
Giorgio Agamben is a philosopher well known for his brilliance and erudition, as well as for the difficulty and diversity of his seventeen books. The interest which his Homo Sacer sparked in America is likely to continue to grow for a great many years to come. Giorgio Agamben: A Critical Introduction presents the complexity and continuity of Agamben's philosophy-and does so for two separate and distinct audiences. It attempts to provide readers possessing little or no familiarity with Agamben's writings with points of entry for exploring them. For those already well acquainted with Agamben's thought, it offers a critical analysis of the achievements that have marked it.
目次
@fmct:Contents @toc4:Acknowledgments iii Abbreviations iii Preface: The Law of the Good Neighbor iii @toc2:Introduction: The Idea of Potentiality 0 @toc3:Scholium I: The Inoperative 00 Scholium II: On Creation and Decreation 00 Scholium III: Heidegger's Potential, or Creative Terminology 000 @toc2:Chapter One: Art for Art's Sake. The Destruction of Aesthetics and The Man Without Content (1970) 000 @toc3:Scholium I: Benjamin and Heidegger or Poison and Antidote 000 Scholium II: The Potentiality of Art 000 @toc2:Chapter Two: A General Science of the Human. Stanzas: Word and Phantasm in Western Culture (1977) 000 @toc3:Scholium: On Erudition 000 @toc2:Chapter Three: A Critique of the Dialectic. Infancy and History: The Destruction of Experience (1978) 000 @toc3:Scholium I: Benjamin's Theses on the Philosophy of History, or The Floodgates of Enthusiastic Misunderstanding 000 Scholium II: The Now of Knowability 000 Scholium III: Kairos 000 Scholium IV: Dialectics at a Standstill, or Means and Ends 000 @toc2:Chapter Four: The Pure Potentiality of Representation. Idea of Prose (1985) 000 @toc3:Scholium I: The Art of Citation Without Quotation Marks 000 Scholium II: The Idea of Benjamin 000 Scholium III: Reading What Was Never Written 000 Scholium IV: The Storyteller 000 @toc2:Chapter Five: From Spectacle to Shekinah: The Coming Community (1990) 000 @toc3:Scholium I: Jacques Derrida, Rabbi Akiba, Aher and the Cutting of the Branches 000 Scholium II: The Idea of Pornography 000 Scholium III: Guy Debord, Strategy, and Political Ontology 000 Scholium IV: On Hope, Redemption and the Irreparable 000 @toc2:Chapter Six: The Potential of Paradigms. Homo Sacer: Sovereign Power and Bare Life (1995) 000 @toc3:Scholium I: Progress and Catastrophe, or Clear and Present Dangers 000 Scholium II: Paradigm and Dialectical Image, or the Shadow of the Present 000 @toc2:Chapter Seven: The Unique and the Unsayable. Remnants of Auschwitz: The Witness and the Archive. Homo Sacer III (1998) 000 @toc3:Scholium I: What is a Remnant? 000 Scholium II: On Genius, or Heidegger's Poison and Benjamin's Antidote 000 Scholium III: Eternal Recurrence of the Same, or Nietzsche and the Potentiality of the Past 000 @toc2:Chapter Eight: The Suspended Substantive. On Animals and Men in The Open: Man and Animal (2002) 000 Chapter Nine: The Exceptional Life of the State. State of Exception (2003) 000 @toc3:Scholium I: Adorno, Profanity and the Secular Order 000 Scholium II: Carl Schmitt, or Politics and Strategy 000 @toc2:Chapter Ten: The Messiah, or on the Sacred and the Profane 000 Conclusion: The Idea of the Work 000 @toc4:Notes 000 Bibliogrpahy 000 Index 000
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