The anime machine : a media theory of animation

著者

書誌事項

The anime machine : a media theory of animation

Thomas Lamarre

University of Minnesota Press, c2009

  • : hc
  • : pb

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注記

Includes bibliographical references (p. 351-366) and index

内容説明・目次

巻冊次

: hc ISBN 9780816651542

内容説明

Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media.The Anime Machine defines the visual characteristics of anime and the meanings generated by those specifically "animetic" effects-the multiplanar image, the distributive field of vision, exploded projection, modulation, and other techniques of character animation-through close analysis of major films and television series, studios, animators, and directors, as well as Japanese theories of animation. Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. He then examines foundational works of anime, including the films and television series of Miyazaki Hayao and Anno Hideaki, the multimedia art of Murakami Takashi, and CLAMP's manga and anime adaptations, to illuminate the profound connections between animators, characters, spectators, and technology. Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the "animetic machine" encourages a specific approach to thinking about technology and opens new ways for understanding our place in the technologized world around us.

目次

Preface Introduction: The Anime Machine Part I. Multiplanar Image 1. Cinematism and Animetism 2. Animation Stand 3. Compositing 4. Merely Technological Behavior 5. Flying Machines 6. Full Animation 7. Only a Girl Can Save Us Now 8. Giving Up the Gun Part II. Exploded View 9. Relative Movement 10. Structures of Depth 11. The Distributive Field 12. Otaku Imaging 13. Multiple Frames of Reference 14. Inner Natures 15. Full Limited Animation Part III. Girl Computerized 16. A Face on the Train 17. The Absence of Sex 18. Platonic Sex 19. Perversion 20. The Spiral Dance of Symptom and Specter 21. Emergent Positions 22. Anime Eyes Manga Conclusion: Patterns of Serialization Notes Bibliography Index
巻冊次

: pb ISBN 9780816651559

内容説明

Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. The Anime Machine defines the visual characteristics of anime and the meanings generated by those specifically "animetic" effects-the multiplanar image, the distributive field of vision, exploded projection, modulation, and other techniques of character animation-through close analysis of major films and television series, studios, animators, and directors, as well as Japanese theories of animation. Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. He then examines foundational works of anime, including the films and television series of Miyazaki Hayao and Anno Hideaki, the multimedia art of Murakami Takashi, and CLAMP's manga and anime adaptations, to illuminate the profound connections between animators, characters, spectators, and technology. Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the "animetic machine" encourages a specific approach to thinking about technology and opens new ways for understanding our place in the technologized world around us.

目次

Preface Introduction: The Anime Machine Part I. Multiplanar Image 1. Cinematism and Animetism 2. Animation Stand 3. Compositing 4. Merely Technological Behavior 5. Flying Machines 6. Full Animation 7. Only a Girl Can Save Us Now 8. Giving Up the Gun Part II. Exploded View 9. Relative Movement 10. Structures of Depth 11. The Distributive Field 12. Otaku Imaging 13. Multiple Frames of Reference 14. Inner Natures 15. Full Limited Animation Part III. Girl Computerized 16. A Face on the Train 17. The Absence of Sex 18. Platonic Sex 19. Perversion 20. The Spiral Dance of Symptom and Specter 21. Emergent Positions 22. Anime Eyes Manga Conclusion: Patterns of Serialization Notes Bibliography Index

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