Cultural mediators : artists and writers at the crossroads of tradition, innovation and reception in the Low countries and Italy 1450-1650
著者
書誌事項
Cultural mediators : artists and writers at the crossroads of tradition, innovation and reception in the Low countries and Italy 1450-1650
(Groningen studies in cultural change / general editor, M. Gosman, v. 31)
Peeters, 2008
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [181]-204
内容説明・目次
内容説明
The notion of cultural mediation is a promising albeit not yet methodologically clear-cut and well-probed instrument for studying artistic and literary phenomena in the Late Medieval and Early Modern Period. This volume addresses the role of artists and writers as cultural mediators in a variety of cultural fields such as religion, politics, morality and artistic expression (art, literature and theatre). It fully acknowledges the diversity of roles that the term cultural mediator incorporates. The artist or writer may be a neutral transmitter, a dedicated instructor, a conscious advocate, an unconscious exponent or an autonomous inventor of whatever message is being transmitted by way of visual or verbal artefacts. In reality, these roles were often intertwined, but distinguishing them enables us to recognise the main variables that shaped the role of a cultural mediator: the intentionality of the artist or writer, the function of his or her work and its reception by the viewers or audience.
The essays collected in this volume offer a stimulating, interdisciplinary exploration of the range, variety and impact of the artist or writer as a cultural mediator, while avoiding a deadlock between notions of art and literature as subsidiary versus self-contained fields of creative expression.
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