Intersected identities : strategies of visualisation in nineteenth- and twentieth-century Mexican culture
著者
書誌事項
Intersected identities : strategies of visualisation in nineteenth- and twentieth-century Mexican culture
(Remapping cultural history / general editor, Jo Labanyi, v. 5)
Berghahn Books, 2007
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [289]-308) and index
内容説明・目次
内容説明
There has always been an important visual element to the construction and questioning of national identity in post-Independence Mexico, though one that has not always been given its due, outside of the celebrated and much-studied muralists. Ranging from the early nineteenth century to the present - from the vogue for the picturesque, illustrated periodicals and the influential writings of Altamirano to a wealth of twentieth-century graphic artists, filmmakers and photographers - this book re-examines the complex variety of ways in which that visual element has operated. In particular, it looks at the ways in which discourses concerning ethnicity and cultural hybridity have been echoed and transformed in Mexican visual culture, resulting in fields of visual discourse which are eclectic and increasingly self-reflexive.
目次
List of Illustrations
Acknowledgements
Abbreviations
Introduction: A Tradition of Intersections? Interdisciplinary Slippages, Borrowings and Collaborations in Mexican Visual Culture
Chapter 1. The Development of Costumbrista: Iconography and Nation-building Strategies in Literary Periodicals of the Mid-Nineteenth Century
Chapter 2. An Italicised Ethnicity: Memory, Renascence and Visuality in the Literary Writings of Ignacio Manuel Altamirano
Chapter 3. Visualising Mexico: The Interplay of Graphic Arts and Film in the 1930s and 1940s
Chapter 4. Reframing the City: Images of Displacement in Urban Films and the Visual Arts of the 1940s and 1950s
Chapter 5. Allegory, Self-reflexivity and Irony: A Photographic Genealogy
Chapter 6. The Poetics of Skin: Surface and Inscription in Contemporary Photography
Chapter 7. The Hermeneutics of the Veil in Photography: Of Rebozos, Sabanas, Huipiles and Lienzos de Veronica
Chapter 8. Relics and Disjecta in Modernism and Post-Modernism: A Comparative Study of Archaeology in Contemporary Photography and Multimedia Art
Bibliography
Index
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