Ulysses and us : the art of everyday life in Joyce's masterpiece
著者
書誌事項
Ulysses and us : the art of everyday life in Joyce's masterpiece
W.W. Norton, c2009
1st American ed
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Declan Kiberd, professor of Anglo-Irish literature at the University College Dublin and Ireland's premier literary historian, offers an audacious, pioneering new take on James Joyce's masterpiece. Ulysses, he argues, is not an esoteric work for the scholarly few but indisputably a work rooted in the lives of ordinary citizens, offering a humane vision of a more tolerant and decent life in the modern world.
Structuring his analysis around the mundane pleasures highlighted throughout the work-including waking, walking, and drinking-Kiberd progresses through each of Ulysses's episodes to elegantly reveal that Joyce's ultimate goal was to create a book honoring the richness of daily life. At a time when most other modernist authors adopted a rather dismissive tone toward popular culture and the emerging noise of industry, Joyce wrote Ulysses to extol the everyday man and embrace the bustle of middle-class streets. He wanted to infuse that commonplace Dublin world, in all of its grit and vulgar physicality, with a fierce passion and a miraculous interiority that would illuminate its underlying beauty.
For Kiberd, the seemingly banal hero of Ulysses, Leopold Bloom, embodies an intensely ordinary kind of wisdom and, in this way, offers us a model for living well, in the tradition of Homer, Dante, and the Bible-all of which Joyce drew on in writing his book. By shedding light on Joyce's celebration of everyday life, Kiberd rescues Ulysses from the dusty shelves of rarified literary neglect and presents it to the audience it was originally written about and for which it was intended.
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