War/time
著者
書誌事項
War/time
(Mechademia, v. 4)
University of Minnesota Press, c2009
- : pbk
大学図書館所蔵 全25件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
The themes of war and time are intertwined in unique ways in Japanese culture, freighted as that nation is with the multiple legacies of World War II: the country's militarization, its victories and defeats, Hiroshima and Nagasaki, and the uneasy pacifism imposed by the victors. Delving into topics ranging from the production of wartime propaganda to the multimedia adaptations of romance narrative, contributors to the fourth volume in the Mechademia series address the political, cultural, and technological continuum between war and the everyday time of orderly social productivity that is reflected, confronted, and changed in manga, anime, and other forms of Japanese popular culture.
Grouped thematically, the essays in this volume explore the relationship between national sovereignty and war (from the militarization of children as critically exposed in Grave of the Fireflies to reworkings of Japanese patriotism in The Place Promised in Our Early Days), the intersection of war and the technologies of social control (as observed in the films of Oshii Mamoru and the apocalyptic vision of Neon Genesis Evangelion), history and memory as in manga artists working through the trauma of Japan's defeat in World War II and the new modalities of storytelling represented by Final Fantasy X), and the renewal and hybridization of militaristic genres as a means of subverting conventions (in Yamada Futaro's ninja fiction and Miuchi Suzue's girl knight manga).
Contributors: Brent Allison; Mark Anderson; Christopher Bolton, Williams College; Martha Cornog; Marc Driscoll, U of North Carolina, Chapel Hill; Angela Drummond-Mathews, Paul Quinn College; Michael Fisch; Michael Dylan Foster, Indiana U; Wendy Goldberg; Marc Hairston, U of Texas, Dallas; Charles Shiro Inouye, Tufts University; Rei Okamoto Inouye, Northeastern U; Paul Jackson; Seth Jacobowitz, San Francisco State U; Thomas Lamarre, McGill U; Tom Looser, New York U; Sheng-mei Ma, Michigan State U; Christine Marran, U of Minnesota; Zilia Papp, Hosei U, Tokyo; Marco Pellitteri; Timothy Perper; Yoji Sakate; Chinami Sango; Deborah Scally; Deborah Shamoon, U of Notre Dame; Manami Shima; Rebecca Suter, U of Sydney; Takayuki Tatsumi, Keio U, Tokyo; Christophe Thouny; Gavin Walker; Dennis Washburn, Dartmouth College; Teresa M. Winge, Indiana U.
目次
Preface: War/Time, Thomas Lamarre
Legacies of Sovereignty
The Filmic Time of Coloniality: On Shinkai Makoto's The Place Promised in Our Early Days, Gavin Walker
Theorizing Manga: Nationalism and Discourse on the Role of Wartime Manga, Rei Okamoto Inouye
Transcending the Victim's History: Takahata Isao's Grave of Fireflies, Wendy Goldberg
Control Room
Gothic Politics: Oshii, War, and Life without Death, Tom Looser
Oshii Mamoru's Patlabor 2: Terror, Theatricality, and Exceptions That Prove the Rule, Mark Anderson
Waiting for the Messiah: The Becoming-Myth of Evangelion and Densha otoko, Christophe Thouny
War by Metaphor in Densha Otoko, Michael Fisch
History/Memory
Imagined History, Fading Memory: Mastering Narrative in Final Fantasy X, Dennis Washburn
Haunted Travelogue: Hometowns, Ghost Towns, and Memories of War, Michael Dylan Foster
Three Views of the Rising Sun, Obliquely: Keiji Nakazawa's A-bomb, Osamu Tezuka's Adolf, and Yoshinori Kobayashi's Apologia, Sheng-mei Ma
Virtual Creation, Simulated Destruction, and Manufactured Memory at the Art Mecho Museum in Second Life, Christopher Bolton
Genre Violence
Ninja, Hidden Christians, and the Two Ferreiras: On Endo Shusaku and Yamada Futaro, Takayuki Tatsumi, Translated by Seth Jacobowitz
Monsters at War: The Great Yokai Wars, 1968-2005, Zilia Papp
From Jusuheru to Jannu: Girl Knights and Christian Witches in the Work of Miuchi Suzue, Rebecca Suter
Mobilization/Domestication
Empire through the Eyes of a Yapoo: Male Abjection in the Cult ClassicBeast Yapoo, Christine Marran
Nippon ex Machina: Japanese Postwar Identity in Robot Anime and the Case of UFO Robo Grendizer, Marco Pellitteri
Kobayashi Yoshinori Is Dead: Imperial War/Sick Liberal Peace/Neoliberal Class War, Mark Driscoll
Manga: A Comic Interlude from Darumasan-ga-koronda, "Land Mine in Central Park", Yoji Sakate, Translated by Manami Shima, Art by Chinami Sango
Review and Commentary
Two Phases of Japanese Illustrated Fiction, Charles Shiro Inouye
Paradise Lost . . . and Found?, Paul Jackson
Molten Hot: Japanese Gal Subcultures and Fashions, Theresa M. Winge
Monstrous Toys of Capitalism, Brent Allison
If Casshern Doesn't Do It, Who Will?, Deborah Shamoon
Psychoanalytic Cyberpunk Midsummer-Night's Dreamtime: Satoshi Kon's Paprika, Timothy Perper and Martha Cornog
Torendo
Interview with Murase Shuko and Sato Dai, Marc Hairston, Deborah Scally, and Angela Drummond-Mathews
Contributors
Call for Papers
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