War/time
Author(s)
Bibliographic Information
War/time
(Mechademia, v. 4)
University of Minnesota Press, c2009
- : pbk
Available at 25 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Description and Table of Contents
Description
The themes of war and time are intertwined in unique ways in Japanese culture, freighted as that nation is with the multiple legacies of World War II: the country's militarization, its victories and defeats, Hiroshima and Nagasaki, and the uneasy pacifism imposed by the victors. Delving into topics ranging from the production of wartime propaganda to the multimedia adaptations of romance narrative, contributors to the fourth volume in the Mechademia series address the political, cultural, and technological continuum between war and the everyday time of orderly social productivity that is reflected, confronted, and changed in manga, anime, and other forms of Japanese popular culture.
Grouped thematically, the essays in this volume explore the relationship between national sovereignty and war (from the militarization of children as critically exposed in Grave of the Fireflies to reworkings of Japanese patriotism in The Place Promised in Our Early Days), the intersection of war and the technologies of social control (as observed in the films of Oshii Mamoru and the apocalyptic vision of Neon Genesis Evangelion), history and memory as in manga artists working through the trauma of Japan's defeat in World War II and the new modalities of storytelling represented by Final Fantasy X), and the renewal and hybridization of militaristic genres as a means of subverting conventions (in Yamada Futaro's ninja fiction and Miuchi Suzue's girl knight manga).
Contributors: Brent Allison; Mark Anderson; Christopher Bolton, Williams College; Martha Cornog; Marc Driscoll, U of North Carolina, Chapel Hill; Angela Drummond-Mathews, Paul Quinn College; Michael Fisch; Michael Dylan Foster, Indiana U; Wendy Goldberg; Marc Hairston, U of Texas, Dallas; Charles Shiro Inouye, Tufts University; Rei Okamoto Inouye, Northeastern U; Paul Jackson; Seth Jacobowitz, San Francisco State U; Thomas Lamarre, McGill U; Tom Looser, New York U; Sheng-mei Ma, Michigan State U; Christine Marran, U of Minnesota; Zilia Papp, Hosei U, Tokyo; Marco Pellitteri; Timothy Perper; Yoji Sakate; Chinami Sango; Deborah Scally; Deborah Shamoon, U of Notre Dame; Manami Shima; Rebecca Suter, U of Sydney; Takayuki Tatsumi, Keio U, Tokyo; Christophe Thouny; Gavin Walker; Dennis Washburn, Dartmouth College; Teresa M. Winge, Indiana U.
Table of Contents
Preface: War/Time, Thomas Lamarre
Legacies of Sovereignty
The Filmic Time of Coloniality: On Shinkai Makoto's The Place Promised in Our Early Days, Gavin Walker
Theorizing Manga: Nationalism and Discourse on the Role of Wartime Manga, Rei Okamoto Inouye
Transcending the Victim's History: Takahata Isao's Grave of Fireflies, Wendy Goldberg
Control Room
Gothic Politics: Oshii, War, and Life without Death, Tom Looser
Oshii Mamoru's Patlabor 2: Terror, Theatricality, and Exceptions That Prove the Rule, Mark Anderson
Waiting for the Messiah: The Becoming-Myth of Evangelion and Densha otoko, Christophe Thouny
War by Metaphor in Densha Otoko, Michael Fisch
History/Memory
Imagined History, Fading Memory: Mastering Narrative in Final Fantasy X, Dennis Washburn
Haunted Travelogue: Hometowns, Ghost Towns, and Memories of War, Michael Dylan Foster
Three Views of the Rising Sun, Obliquely: Keiji Nakazawa's A-bomb, Osamu Tezuka's Adolf, and Yoshinori Kobayashi's Apologia, Sheng-mei Ma
Virtual Creation, Simulated Destruction, and Manufactured Memory at the Art Mecho Museum in Second Life, Christopher Bolton
Genre Violence
Ninja, Hidden Christians, and the Two Ferreiras: On Endo Shusaku and Yamada Futaro, Takayuki Tatsumi, Translated by Seth Jacobowitz
Monsters at War: The Great Yokai Wars, 1968-2005, Zilia Papp
From Jusuheru to Jannu: Girl Knights and Christian Witches in the Work of Miuchi Suzue, Rebecca Suter
Mobilization/Domestication
Empire through the Eyes of a Yapoo: Male Abjection in the Cult ClassicBeast Yapoo, Christine Marran
Nippon ex Machina: Japanese Postwar Identity in Robot Anime and the Case of UFO Robo Grendizer, Marco Pellitteri
Kobayashi Yoshinori Is Dead: Imperial War/Sick Liberal Peace/Neoliberal Class War, Mark Driscoll
Manga: A Comic Interlude from Darumasan-ga-koronda, "Land Mine in Central Park", Yoji Sakate, Translated by Manami Shima, Art by Chinami Sango
Review and Commentary
Two Phases of Japanese Illustrated Fiction, Charles Shiro Inouye
Paradise Lost . . . and Found?, Paul Jackson
Molten Hot: Japanese Gal Subcultures and Fashions, Theresa M. Winge
Monstrous Toys of Capitalism, Brent Allison
If Casshern Doesn't Do It, Who Will?, Deborah Shamoon
Psychoanalytic Cyberpunk Midsummer-Night's Dreamtime: Satoshi Kon's Paprika, Timothy Perper and Martha Cornog
Torendo
Interview with Murase Shuko and Sato Dai, Marc Hairston, Deborah Scally, and Angela Drummond-Mathews
Contributors
Call for Papers
by "Nielsen BookData"