Cosmopolitan Twain
著者
書誌事項
Cosmopolitan Twain
(Mark Twain and his circle series / Tom Quirk, editor)
University of Missouri Press, c2008
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Cosmopolitan Twain takes seriously Mark Twain's life as a citizen of urban landscapes: from the streets of New York City to the palaces of Vienna to the suburban utopia of Hartford. Traditional readings of Mark Twain orient his life and work by distinctly rural markers such as the Mississippi River, the Wild West, and small-town America; yet as this collection shows, Twain's sensibilities were equally formed in urban centers of the world. These essays project Twain both as a product of urban frontiers and as a prophet of American modernity, situating him squarely within the context of an evolving international and cosmopolitan community.As Twain traveled and lived in these locales, he acquired languages, costumes, poses, and politics that made him one of the first truly cosmopolitan world citizens. Beginning with New York City - where Twain spent more of his life than in Hannibal - we learn that his early experiences there fed his fascination with racial identity and economic privilege. While in St. Louis and New Orleans, Twain developed a strategic detachment that became a part of his cosmopolitan persona. His contact with bohemian writers in San Francisco excited his ambitions to become more than a humorist, while sojourns in Buffalo and Hartford marked Twain's uneasy accommodation to domesticity and cultural prominence. London finally liberated him from his narrowly constructed national identity, while Vienna allowed him to fully achieve his transnational voice.The volume ends by presenting Elmira, New York, as a complement, and something of a counterpart, to Twain's cosmopolitan life, creating a domestic retreat from the pace and complexity of an emerging modern utopia.In response to each of these cities, Twain generated writings that marked America's movement into the twentieth century and toward the darker realities that made possible a cosmopolitan state. ""Cosmopolitan Twain"" presents Twain's eventual descent into skepticism and despair not as a departure from his early values but rather as a dark awakening into the new terms of American identity, history, and moral authority. It reveals a writer who is decidedly less static than the iconic portrait that dominates popular culture and offers a corrective to the dominant perspective of Twain as the nostalgic voice of America's rural past, presenting Twain as a citizen of modernity and a visionary of a global and cosmopolitan future.
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