Rethinking postmodernism(s) : Charles S. Peirce and the pragmatist negotiations of Thomas Pynchon, Toni Morrison, and Jonathan Safran Foer

Author(s)

    • Amian, Katrin

Bibliographic Information

Rethinking postmodernism(s) : Charles S. Peirce and the pragmatist negotiations of Thomas Pynchon, Toni Morrison, and Jonathan Safran Foer

Katrin Amian

(Postmodern studies, 41)

Rodopi, 2008

  • : pbk

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Includes bibliographical references (p. [227]-239)

Description and Table of Contents

Description

Rethinking Postmodernism(s) revisits three historical sites of American literary postmodernism: the early postmodernism of Thomas Pynchon's V. (1961), the emancipatory postmodernism of Toni Morrison's Beloved (1987), and the late or post-postmodernism of Jonathan Safran Foer's Everything Is Illuminated (2002). For the first time, it confronts these texts with the pragmatist philosophy of Charles Sanders Peirce, staging a conceptual dialogue between pragmatism and postmodernism that historicizes and recontextualizes customary readings of postmodern fiction. The book is a must-read for all interested in current reassessments of literary postmodernism, in new critical dialogues between seminal postmodern texts, and in recent attempts to theorize the 'post-postmodern' moment.

Table of Contents

Acknowledgements Introduction 1. Toward a New Postmodern Language Game: C. S. Peirce and the Pragmatist Language of Creativity and Consensus Productive In/Stabilities: Susanne Rohr's Peircean Theory of Reality Constitution Beyond Rohr's Model: Creativity, Consensus, and the Language of 'Negotiations' 2. Creativity and Power: Thomas Pynchon's V. Destabilizing Play: V. 's Creative Guesswork Stifling Control: V.' s Objects of Desire Play and Control: Re-Engaging the 'Paradox' of Postmodern Fiction 3. Consensus and Difference: Toni Morrison's Beloved (De-)Constructing Intersubjectivity: Beloved's Politics of Reading Reworking Consensus: The Women's Gathering and Beloved's 'Referential Debt' 4. Creativity and Consensus: Jonathan Safran Foer's Everything Is Illuminated Staging Creativity: Everything's Playful Destabilizations Performing (Inter)Subjectivities: Everything's Epistolary Mediations Reworking Consensus: Toward a 'Moral' Vision of 'Collective Creation' Conclusion Works Cited

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