The Museum of Non-Objective Painting : Hilla Rebay and the origins of the Solomon R. Guggenheim Museum
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Bibliographic Information
The Museum of Non-Objective Painting : Hilla Rebay and the origins of the Solomon R. Guggenheim Museum
Guggenheim Museum , Thames & Hudson [distributor], 2009
- hbk.
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Description and Table of Contents
Description
Considering in depth the origins of the Solomon R. Guggenheim Museum when it was first known as the Museum of Non-Objective Painting, this volume reveals for the first time the museums complex and sometimes twisted architectural history and the ambitious exhibition programme organized by Hilla Rebay, the museums founding Director and Curator from 1939 to 1952. Through the extensive correspondence between Rebay and Rudolf Bauer the artist whose work Guggenheim collected exhaustively, Karol Vail reveals the important role Bauer played in envisioning the collection and the museum. Fully illustrated throughout, and featuring extensive previously unpublished archival materials, this book provides essential reading and a rich reference of the Guggenheims multifaceted and fascinating history.
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