Burmese painting : a linear and lateral history

Author(s)

    • Ranard, Andrew

Bibliographic Information

Burmese painting : a linear and lateral history

Andrew Ranard

Silkworm Books, c2009

Available at  / 8 libraries

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Note

Includes bibliographical references (p. 335-344) and indexes

Description and Table of Contents

Description

This is the first comprehensive history of Burmese painting, from eleventh-century Pagan to the present, including over 175 painters and more than 300 photographs of work. The book explores the historical transformations of the art, with psychological interpretations of major artists, the legends which followed them, and analysis of their oeuvres. It also probes the unusual lateral dimensions of Burmese painting, where 1,000 years of tradition have continued to survive and shape a rich corpus of largely unknown work. Ranard links the traditional roots of Burmese painting in India with later influences from China, Thailand, Britain, Northern Europe, and America. Burma is an isolated country, but its art has been a major wellspring of inspiration in Southeast Asia. Today, the country struggles to reconcile complex pressures, and Ranard digs deeply to uncover layers of conflict reflected in Burmese painting.

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Details

  • NCID
    BB00452422
  • ISBN
    • 9789749511763
  • LCCN
    2009328666
  • Country Code
    th
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Chiang Mai, Thailand
  • Pages/Volumes
    xv, 368 p.
  • Size
    29 cm
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