Shakespeare, the Queen's Men, and the Elizabethan performance of history
著者
書誌事項
Shakespeare, the Queen's Men, and the Elizabethan performance of history
Cambridge University Press, 2009
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 221-234) and index
内容説明・目次
内容説明
The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, this book looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through innovative readings of their plays including The Famous Victories of Henry V before moving on to Shakespeare's 1 Henry VI, Richard III, and Henry V, this book investigates how the Queen's Men's self-consciousness about performance helped to shape Shakespeare's dramatic and historical imagination.
目次
- Introduction
- 1. Dialogues with the dead: history, performance, and Elizabethan theater
- 2. Theatrical time and historical time: the temporality of the past in The Famous Victories of Henry V
- 3. Figuring history: truth, poetry, and report in The True Tragedy of Richard III
- 4. 'Unkind division': the double absence of performing history in 1 Henry VI
- 5. Richard III and Theatrum Historiae
- 6. Henry V and the extra-theatrical historical imagination
- Conclusion: traces of Henry/traces of history.
「Nielsen BookData」 より