Cinematic illuminations : the Middle Ages on film
著者
書誌事項
Cinematic illuminations : the Middle Ages on film
The Johns Hopkins University Press, 2010
- : hardcover : alk. paper
- : pbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This engaging new study analyzes cinematic treatments of the Middle Ages within a diverse range of popular and artistic films. At a time when students have more experience with watching movies than with reading and evaluating literature and history, Cinematic Illuminations harnesses the power of popular culture to make accessible a period that often seems forbidding and remote. From The Seventh Seal and The Lion in Winter to Monty Python and the Holy Grail, the authors examine the ways in which the twentieth century has reimagined medieval times. Such analysis brings to life for students the literature, poetry, history, and art of the Middle Ages. Drawing from current critical approaches to both medieval and film studies, Laurie A. Finke and Martin B. Shichtman focus on two main issues of historical film. First is the inherent tension between the artifice required by film to create historical reality and the accuracy central to claims of history. Second are the ways iconography and filming conventions rewrite our understanding of the historical period portrayed in the film.
In this case, the authors ask, how do contemporary representations of the Middle Ages influence cultural fantasies about our own time? Their detailed and accessible readings reveal just how strongly medieval history continues to resonate with modern audiences. Cinematic Illuminations offers medievalists, literary and cultural theorists, and film theorists and buffs a fresh approach to understanding how popular culture interprets and makes use of the past through the medium of film.
目次
List of Figures
Acknowledgments
Part 1: Theory and Methods of Cinematic Medievalism
1. Traversing the Fantasy: Screening the Middle Ages
2. Signs of the Medieval: A Sociological Stylistics of Film
3. Celluloid History: Cinematic Fidelity and Infidelity
Part 2: The Politics of Cinematic Medievalism
4. Mirror of Princes: Representations of Political Authority in Medieval Films
5. The Politics of Hagiography: Joan of Arc on the Screen
6. The Hagiography of Politics: Mourning in America
7. The Crusades: War of the Cross or God's Own Bloodbath?
Part 3: Cinematic Medievalism and the Anxieties of Modernity
8. Looking Awry at the Grail: Mourning Becomes Modernity
9. Apocalyptic Medievalism: Rape and Disease as Figures of Social Anomie
10. Forever Young: The Teen Middle Ages
Notes
Bibliography
Index
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