Japanese cinema and otherness : nationalism, multiculturalism and the problem of Japanesenesss [i.e. Japaneseness]
著者
書誌事項
Japanese cinema and otherness : nationalism, multiculturalism and the problem of Japanesenesss [i.e. Japaneseness]
(The Sheffield Centre for Japanese Studies/Routledge series)
Routledge, 2010
- : pbk
- : hbk
- タイトル別名
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Japanese cinema and otherness : nationalism, multiculturalism and the problem of Japaneseness
大学図書館所蔵 全48件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
この図書・雑誌をさがす
注記
First issued in paperback 2011
"Based on a PhD dissertation submitted to the University of Ulster 2007"--Acknowledgements
Bibliography: p. [206]-219
Filmography: p. 219-221
Includes index
内容説明・目次
内容説明
Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others - foreigners, ethnic minorities, and Okinawans - in Japanese cinema. By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception.
Mika Ko considers the ways in which 'multicultural' sentiments have emerged in contemporary Japanese cinema. In this respect, Japanese films may be seen not simply to have 'reflected' more general trends within Japanese society but to have played an active role in constructing and communicating different versions of multiculturalism. In particular, the book is concerned with how representations of 'otherness' in contemporary Japanese cinema may be identified as reinforcing or subverting dominant discourses of 'Japaneseness'. the author book also illuminates the ways in which Japanese films have engaged in the dramatisation and elaboration of ideas and attitudes surrounding contemporary Japanese nationalism and multiculturalism.
By locating contemporary Japanese cinema in a social and political context, Japanese Cinema and Otherness makes an original contribution to scholarship on Japanese film study but also to bridging the gap between Japanese studies and film studies.
目次
Part 1: Nationalism, Multiculturalism and the Problem of Japaneseness 1. Nationalism, Multiculturalism and the Problem of Japaneseness 2. 'Cosmetic' Multiculturalism and Contemporary Japanese Cinema Part 2: Okinawa 3. Okinawa - Modern History and Issues of Identity 4. Representing Okinawa: Contesting Images in Japanese Cinema Part 3: Zainichi 5. Zainichi - History, Identities, and Politics 6. Representing Zainichi: Victim, Clown, and Super-Cool Hero
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