The woodcut in fifteenth-century Europe
著者
書誌事項
The woodcut in fifteenth-century Europe
（Studies in the history of art, 75 . Symposium papers / Center for Advanced Study in the Visual arts ; 52）
National Gallery of Art , Distributed by Yale University Press, c2009
- タイトル別名
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Woodcut in 15th-century Europe
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注記
"Proceedings of the symposium 'The Woodcut in Fifteenth-Century Europe,' organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Samuel H. Kress Foundation in honor of Franklin D. Murphy. The symposium was held November 18-19, 2005, in Washington, D.C."
Includes bibliographical references and index
収録内容
- Picturing Oedipus in the Sion textile / Teresa K. Nevins
- Prints in the early printing shops / Paul Needham
- Woodcuts for reading : the codicology of fifteenth-century blockbooks and woodcut cycles / Nigel F. Palmer
- Multiplying the sacred : the fifteenth-century woodcut as reproduction, surrogate, simulation / David. S. Areford
- "In gebeden vnd in bilden geschriben" : prints as exemplars of piety and the culture of the copy in fifteenth-century Germany / Jeffrey F. Hamburger
- Two anti-Jewish broadsides from the late fifteenth century / Christine Magin and Falk Eisermann
- A fifteenth-century picture panel from the Dominican monastery of Saint Catherine in Nuremberg / Richard S. Field
- The early print and the origins of the picture postcard / Peter Schmidt
- Convents as patrons and producers of woodcuts in the Low Countries around 1500 / Ursula Weekes
- The pigments on hand-colored fifteenth-century relief prints from the collections of the National Gallery of Art and the Germanisches Nationalmuseum / Shelley Fletcher, Lisha Glinsman, Doris Oltrogge
- Illuminating the print : the use of color in fifteenth-century prints and book illumination / Doris Oltrogge
- Flock prints and paste prints : a technological approach / Alexandra Scheld, Roland Damm
内容説明・目次
内容説明
More than a generation before the invention of Gutenberg's celebrated press, the new technology of image printing emerged. In this book, a distinguished group of scholars treats the earliest manifestations of printing in all aspects: technical experimentation, the complex relation of printed books to printed images, individual and institutional patronage, new iconographies, religious propaganda, and the wide variety of private and public ways in which printed images were first employed.
The essays examine the technological, social, political, religious, personal, and institutional contexts of 15th-century woodcuts and challenge many assumptions about the phenomenon of early printing, including the beginnings of printing on cloth, the significance of monastic production, the development of book printing and book illustration, and the extent to which printing can or should be termed a "revolution."
Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts / Distributed by Yale University Press
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