Contemporary Latina/o performing arts of Moraga, Tropicana, Fusco, and Bustamante
Author(s)
Bibliographic Information
Contemporary Latina/o performing arts of Moraga, Tropicana, Fusco, and Bustamante
(Modern American literature / Yoshinobu Hakutani, general editor, v. 44)
Peter Lang, c2009
Available at 2 libraries
  Aomori
  Iwate
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  Tokyo
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  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
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  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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Note
Includes bibliographical references (p. [107]-111) and index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip0418/2004014147.html Information=Table of contents
Description and Table of Contents
Description
Contemporary Latina/o Performing Arts of Moraga, Tropicana, Fusco, and Bustamante demonstrates the crucial significance of looking at theatrical performance for rethinking critical inquiry. Leah Garland closely analyzes the theoretical tools with which prominent theater artists - Cherrie Moraga, Carmelita Tropicana, Coco Fusco, and Nao Bustamante - challenge neocolonial parameters for self-examination. Garland shows how the self-affirmative maneuvers that these artists deploy reconceptualize the subject in literary theory.
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