The Ashgate research companion to popular musicology
著者
書誌事項
The Ashgate research companion to popular musicology
（Ashgate research companion）
Ashgate, c2009
- : hbk
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
目次
- Introduction
- 1: Film, Video and Multimedia
- 1: Trevor Jones's Score for In the Name of the Father
- 2: Music, Sound and the Moving Image: The Present and a Future? 1
- 3: Reinventing Question Time
- 4: Televised Live Performance, Looping Technology and the 'Nu Folk': KT Tunstall on Later ... with Jools Holland
- 2: Technology and Studio Production
- 5: Learning to Listen to Perfect Sound: Hi-fi Culture and Changes in Modes of Listening, 1950-80
- 6: Approaches to Analysing Recordings of Popular Music
- 7: The Art of Phonography: Sound, Technology and Music 1
- 3: Gender and Sexuality
- 8: Genre, Subjectivity and Back-up Singing in Rock Music
- 9: Notes on Musical Camp
- 10: Who Are You? Research Strategies of the Unruly Feminine
- 11: 'I'm a Man': Masculinities in Popular Music
- 4: Identity and Ethnicity
- 12: The Woven World: Unravelling the Mainstream and the Alternative in Greek Popular Music
- 13: Dayton Street Funk: The Layering of Multiple Identities 1
- 14: Black, White and Brown on the Dance Floor: The New Meanings of Panjabiyat in the Twenty-first Century
- 5: Performence and Gesture
- 15: Musical Persona: The Physical Performance of Popular Music 1
- 16: Vocal Performance and the Projection of Emotional Authenticity
- 17: 'Chelsea Rodgers' was a Model - Vocality in Prince of the Twenty-first Century
- 18: Singing Style and White Masculinity
- 19: Talking Music, Making Music: A Comparison between Rap and Techno 1
- 6: Reception and Scenes
- 20: Absolute Beginners: The Evolution of a British Popular Music Scene
- 21: Studying Reception and Scenes
- 22: Interpretation: So What? 1
- 7: The Music Industry and Globalization
- 23: Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes
- 24: Music and the Creative Knowledge Economy
- 25: The Transnational Music Industry
- 26: Pop Idol: Global Economy - Local Meanings
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