The thinking hand : existential and embodied wisdom in arthitecture

著者

書誌事項

The thinking hand : existential and embodied wisdom in arthitecture

Juhani Pallasmaa

（AD primers）

Wiley, 2009

  • : hbk
  • : pbk

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注記

Includes bibliographical references (p. 150) and index

内容説明・目次

巻冊次

: hbk ISBN 9780470779286

内容説明

In this book Pallasmaa progresses his case for a multi-sensory approach to architecture, espoused in The Eyes of the Skin , by taking a wider view of the role of embodiment in human existential reactions, experiences and expressions as well as the processes of making and thinking. ' The Thinking Hand ' is a metaphor for the characteristic independence and autonomous activity of all our senses as they constantly scan the physical world. Many of our most crucial skills are internalised as automatic reactions that we are not consciously aware of. Even in the case of learning skills, the sequence of movements in a task is internalised and embodied rather than understood and remembered intellectually. Prevailing educational philosophies continue to emphasise conceptual, intellectual and verbal knowledge over this tacit and non-conceptual wisdom of our embodied processes, which is so essential to our experience and understanding of the physical and the built.

目次

Introduction: Embodied Existence and Sensory Thought. Chapter One: The Mysterious Hand. The Multiple Essence of the Hand. What is the Hand? Hand, Eye, Brain and Language. Hand as Symbol. Gestures of the Hand. Language of the Hand. Chapter Two: The Working Hand. The Hand and the Tool. The Hand of the Craftsman. Collaborative Craftsmanship. Architecture as Workmanship. Chapter Three: Eye-Hand-Mind Fusion. Experimentation and the Art of Play. Skill and Boredom. Eye, Hand and Mind. Chapter Four: The Drawing Hand. Drawing and the Self. Tactility of Drawing. The Computerised Hand. Primacy of Touch: Hapticity of Self-image. Unconscious Touch in Artistic Experience. Chapter Five: Embodied Thinking. Creative Fusion. The Work of Thinking: The Value of Uncertainty. Resistance, Tradition and Freedom. Thinking Through the Senses. Embodied Memory and Thought. Existential Knowledge. Chapter Six: Body, Self and Mind. The Body as Site. The World and the Self. The World and the Mind. Existential Space in Art. Chapter Seven: Emotion and Imagination. Reality of Imagination. The Gift of Imagination. Reality of Art. Art and Emotion. Artistic Experience as Exchange. Chapter Eight: Theory and Life. Theory and Making. Opposition of Theory and Making. Architecture as Image of Life. The Task of Art. Index. Photo Credits.
巻冊次

: pbk ISBN 9780470779293

内容説明

In our current global networked culture that puts so much emphasis on the virtual and the visual, the mind and the body have become detached and ultimately disconnected. Though physical appearance is idolised for its sexual appeal and its social identity, the role of the body in developing a full understanding of the physical world and the human condition has become neglected. The potential of the human body as a knowing entity - with all our senses as well as our entire bodily functions being structured to produce and maintain silent knowledge together - fails to be recognised. It is only through the unity of mind and body that craftsmanship and artistic work can be fully realised. Even those endeavours that are generally regarded as solely intellectual, such as writing and thinking, depend on this union of mental and manual skills. In The Thinking Hand, Juhani Pallasmaa reveals the miraculous potential of the human hand. He shows how the pencil in the hand of the artist or architect becomes the bridge between the imagining mind and the emerging image. The book surveys the multiple essences of the hand, its biological evolution and its role in the shaping of culture, highlighting how the hand-tool union and eye-hand-mind fusion are essential for dexterity and how ultimately the body and the senses play a crucial role in memory and creative work. Pallasmaa here continues the exploration begun in his classic work The Eyes of the Skin by further investigating the interplay of emotion and imagination, intelligence and making, theory and life, once again redefining the task of art and architecture through well-grounded human truths.

目次

Introduction: Embodied Existence and Sensory Thought 010 Chapter One: The Mysterious Hand 024 The Multiple Essences of the Hand What is the Hand? Hand, Eye, Brain and Language Hand as Symbol Gestures of the Hand Languages of the Hand Chapter Two: The Working Hand 046 The Hand and the Tool The Hand of the Craftsman Collaborative Craftsmanship Architecture as Workmanship Chapter Three: Eye-Hand-Mind Fusion 070 Experimentation and the Art of Play Skill and Boredom Eye, Hand and Mind Chapter Four: The Drawing Hand 088 Drawing and the Self Tactility of Drawing The Computerised Hand Primacy of Touch: Hapticity of Self-image Unconscious Touch in Artistic Experience Chapter Five: Embodied Thinking 106 Creative Fusion The Work of Thinking: The Value of Uncertainty Resistance, Tradition and Freedom Thinking Through the Senses Embodied Memory and Thought Existential Knowledge Chapter Six: Body, Self and Mind 122 The Body as Site The World and the Self The World and the Mind Existential Space in Art Chapter Seven: Emotion and Imagination 130 Reality of Imagination The Gift of Imagination Reality of Art Art and Emotion Artistic Experience as Exchange Chapter Eight: Theory and Life 140 Theory and Making Opposition of Theory and Making Architecture as Image of Life The Task of Art Index 153 Photo credits 159

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