History beyond the text : a student's guide to approaching alternative sources
著者
書誌事項
History beyond the text : a student's guide to approaching alternative sources
(Routledge guides to using historical sources)
Routledge, 2009
- : pbk
- : hbk
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches.
In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book.
Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.
目次
1. Introduction Sarah Barber and Corinna Peniston-Bird 2. Fine Art: The Creative Image Sarah Barber 3. The Cartoon: The Image as Critique Frank Palmeri 4. The Photograph: The Still Image Derek Sayer 5. Film and Television: The Moving Image Jeffrey Richards 6. Music: The Creative Sound Burton W. Peretti 7. Oral Testimony: The Sound of Memory Corinna Peniston-Bird 8. The Internet: Virtual Space Lisa Blenkinsop 9. Landscape: The Configured Space Tom Williamson 10. Architecture: The Built Object Christopher Long 11. Material Culture: The Object Adrienne D. Hood
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