The sacred made real : Spanish painting and sculpture 1600-1700
Author(s)
Bibliographic Information
The sacred made real : Spanish painting and sculpture 1600-1700
National Gallery , Distributed by Yale University Press, 2009
- : hbk
Available at 10 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Catalog of the exhibition held at the National Gallery, London, Oct. 21, 2009-Jan. 24, 2010; National Gallery of Art, Washington, Feb. 28-May 31, 2010
Includes bibliographical references and index
Description and Table of Contents
Description
In 16th- and 17th-century Spain, sculptors and painters combined their skills to depict, with astonishing realism, the great religious themes. Wooden sculptures of the saints, the Immaculate Conception, or the Passion of Christ were painstakingly carved, gessoed, and intricately painted, even embellished with glass eyes and tears and ivory teeth. Some were shockingly graphic in their depiction of Christ's sufferings; others, beautifully clothed, appeared to bring saints to glorious life. These were objects of divine inspiration to the faithful, whether displayed on altars or processed through the streets on holy days.
Featuring new photography, this book reappraises the unique form of Spanish painted wooden sculpture. In addition to examining the sculptures' religious roles, it also explores the unique creative relationship of sculptor and painter: Velazquez's teacher and father-in-law Francisco Pacheco, for example, often painted the flesh and drapery of wood carvings by the celebrated sculptor Juan Martinez Montanes, and taught a generation of students. The skill of painting these hyper-realistic sculptures was an integral part of an artist's training, enhancing his sensitivity to visual impact and physical presence-evident in paintings of the period.
Published by National Gallery Company/Distributed by Yale University Press
Exhibition Schedule:
National Gallery, London (October 2009 - January 2010)
National Gallery of Art, Washington, D.C. (February - May 2010)
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