Music and its virtues in Islamic and Judaic writings
著者
書誌事項
Music and its virtues in Islamic and Judaic writings
(Variorum collected studies series, 875)
Ashgate, c2007
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
A fascinating aspect of the study of music in medieval Islamic and Judaic writings is the broad and interdisciplinary nature of the works and treatises in which it is covered. In addition, such works verbalize an art that was transmitted orally and took shape spontaneously, typically with improvisation during performance. As a result of this outlook the musical concept (or science) is often intertwined with practice (or history). This second collection by Amnon Shiloah brings together twenty-two studies exemplifying such multi-faceted viewpoints on the world of sounds and its virtue. The first studies concern the origin and originators of music and to how its essential constituents came into being; included here is the art of dance along with the controversial attitudes towards it. Next comes the symbolic, philosophical and metaphorical interpretation of music; one of the major ideas epitomizing this approach claimed that the pursuit of knowledge is the path to human perfection and happiness. There follow studies on the transmission of knowledge, along with some annotated key works dealing with therapeutic effects. The last articles focus on cultural traditions elaborated on European soil developing a particular style and musical practice, centred on the Iberian Peninsula, which was the scene of one of the most fascinating examples of cultural interchange.
目次
- Contents: Preface
- Part 1 Theories of Origins: The beginning of things: theories of origins in Arabic and Hebrew sources
- A passage by Immanuel ha-Romi on the science of music
- Biblical references to music as interpreted in Arabic treatises
- The davidic traditions concerning music
- The singing birds
- Reflexions sur la danse artistique musulmane au moyen Acge. Part 2 The Symbolic, Philosophical and Metaphorical Interpretation of Music: L' approche humaniste et metaphorique dans les premiers ecrits arabes sur la musique
- La musique entre le divin et le terrestre
- 'ASn-kol' - commentaire hebraA-que de A em Tov ibn A aprA"t sur le canon d' Avicenne
- Jewish and Muslim traditions of music therapy. Part 3 The Transmission of Musical Knowledge: Qalonimus ben Qalonimus, 'Ma'amar be-mispar ha-hokhmAt'
- Musical concepts in the works of Saadia Gaon
- Some comments of the cantillation of the 10 Commandments
- A propos d' un 'petit livre arabe de musique' (with A. Berthier)
- Notions d' esthetique dans les traites arabes sur la musique
- L' evolution de la vocalite et de la technique vocale dans les traites anciens de la musique arabe. Part 4 The Ideological Attitude Towards Music: Music and religion in Islam
- MaA-monide et la musique. Part 5 Music in Contact: The Romaniot musical tradition (revised version)
- Development of Jewish liturgical singing in Spain
- Muslim and Jewish musical traditions in the Middle Ages
- Andalusian instruments of music and instruments of entertainment
- Index.
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