Benjamin Britten : new perspectives on his life and work
Author(s)
Bibliographic Information
Benjamin Britten : new perspectives on his life and work
(Aldeburgh studies in music, v. 8)
Boydell Press, 2009
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and indexes
Description and Table of Contents
Description
An essay collection which examines Britten's juvenilia, influences such as Shostakovich and Verdi, his opera Owen Wingrave and a libretto written by Australian novelist Patrick White with the hope of a future collaboration.
Benjamin Britten: New Perspectives on his Life and Work reveals the extent to which Britten scholarship is reaching outside the confines of Anglo-American criticism. The volume engages with juvenilia and other orchestral works from the 1920s and examines a broad range of influences on Britten, including the works of Shostakovich and Verdi, the poetry of Ovid, and the cinema. Among his operatic works the dramatic qualities of Owen Wingrave arediscussed through a close study of Piper's libretto and we witness the genesis of a libretto written by Australian novelist Patrick White and submitted to Britten with the hope of a future collaboration. The volume uncovers the generally hostile reception Britten's operas received in Paris until around the 1990s. Britten's status as 'outsider' in both the USA and in his own country when he returned in 1942 is discussed: the possibility is that Britten wasbecoming nervous of the gathering US involvement in the war and the real chance he may be called up to serve in the US forces is also discussed here.
Table of Contents
- Introduction - Lucy Walker Going Behind Britten's Back - Colin Matthews Performing Early Britten: Signs of Promise and Achievement in Poemes Nos 4 and 5 (1927) - Sharon Choa Shostakovich's Fourteenth Symphony: A Response to War Requiem? - Six Metamorphoses After Ovid and the Influence of Classical Mythology on Benjamin Britten - George Caird Britten and the Cinematic Frame - David Crilly Storms, Laughter and Madness: Verdian 'Numbers' and Generic Allusions in Benjamin Britten's Peter Grimes - Jane Brandon Dramatic Invention in Myfanwy Piper's Libretto for Owen Wingrave - Frances Spalding 'The Minstrel Boy to the War is Gone': Father Figures and Fighting Sons in Britten's Owen Wingrave - Arne Muus Made You Look! Children in Salome and Death in Venice - From the Borough to Fraser Island - Claire Seymour Britten and France
- or the Late Emergence of a Remarkable Lyric Universe - Maena Py Why did Britten Return to Wartime England? - Brian McMahon
by "Nielsen BookData"