Haunting and spectrality in neo-Victorian fiction : possessing the past
著者
書誌事項
Haunting and spectrality in neo-Victorian fiction : possessing the past
Palgrave Macmillan, 2010
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注記
Includes bibliographical references (p. 180-191) and index
内容説明・目次
内容説明
Exploring the pervasive presence of the Victorian past in contemporary culture, these essays use the trope of haunting and spectrality as a critical tool with which to consider neo-Victorian works, as well as our ongoing fascination with the Victorians, combining original readings of well-known novels with engaging analyses of lesser-known works.
目次
- Notes on Contributors Introduction
- R.Arias & P.Pulham PART I: HISTORIES AND HAUNTINGS Salley Vickers, Venice, and the Victorians
- F.O'Gorman Spectrality, S(p)ecularity and Textuality: Or, Some Reflections in the Glass
- M.Llewellyn PART II: SPECTRAL WOMEN Repetition and Eternity: Spectral and Textual Continuity in Michele Roberts' In the Red Kitchen
- A.Golda-Derejczyk The Maid, the Master, his Ghost and her Monster: Alias Grace and Mary Reilly
- E.Saxey PART III: SENSING THE PAST Olfactory Ghosts: Michel Faber's The Crimson Petal and the White
- S.Colella The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others
- A.Heilmann PART IV: GHOSTS IN THE CITY Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction
- R.Arias Mapping Histories: The Golem and the Serial Killer in White Chappell , Scarlet Tracings and Dan Leno and the Limehouse Golem
- P.Pulham Bibliography Index
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