Paradise discourse, imperialism, and globalization : exploiting Eden
Author(s)
Bibliographic Information
Paradise discourse, imperialism, and globalization : exploiting Eden
(Routledge research in postcolonial literatures, 25)
Routledge, 2010
- : hbk
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [229]-247
Includes index
Description and Table of Contents
Description
This comparative study, the first of its kind, discusses paradise discourse in a wide range of writing from Mexico, Zanzibar, and Sri Lanka, including novels by authors such as Malcolm Lowry, Leonard Woolf, Juan Rulfo, Wilson Harris, Abdulrazak Gurnah, and Romesh Gunesekera. Tracing dialectical tropes of paradise across the "long modernity" of the capitalist world-system, Deckard reads literature from postcolonial nations in context with colonial discourse in order to demonstrate how paradise begins as a topos motivating European exploration and colonization, shifts into an ideological myth justifying imperial exploitation, and finally becomes a literary motif used by contemporary writers to critique neocolonial representations and conditions in the age of globalization.
Combining a range of critical perspectives-cultural materialist, ecocritical, and postcolonial-the volume opens up a deeper understanding of the relation between paradise discourse and the destructive dynamics of plantation, tourism, and global capital. Deckard uncovers literature from East Africa and South Asia which has been previously overlooked in mainstream postcolonial criticism, and gestures to how the utopian dimensions of the paradise myth might be reclaimed to promote cultural resistance.
Table of Contents
Acknowledgments Introduction: Paradise and Modernity Part One Chapter 1: Gold-land of "Wild Surmise": Mexico, Colonialism, and Informal Imperialism Chapter 2: "Perverse Paradiso": Malcolm Lowry and the Writing of Modern Mexico Part Two Chapter 3: Dark Paradise, Lost Ophir: Colonial Imaginaries of East Africa Chapter 4: Paradise Rejected: Abdulrazak Gurnah and the Swahili World Part Three Chapter 5: Taprobane, Serendib, Adam's Peak: Ceylon as "Paradise of Dharma" Chapter 6: "Make Your Own Eden": Violence, Myth and Ecology in Romesh Gunesekera Conclusion: Revenants Notes Bibliography Index
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