The Norton anthology of theory and criticism
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The Norton anthology of theory and criticism
W.W. Norton, c2010
2nd ed
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Includes bibliographical references (p. 2655-2688) and indexes
内容説明・目次
内容説明
The Norton Anthology of Theory and Criticism is the gold standard for anyone who wishes to understand the development and current state of literary theory. Offering 185 pieces (31 of them new) by 148 authors (18 of them new), The Norton Anthology of Theory and Criticism, Second Edition, is more comprehensive, and more varied, in its selection than any other anthology. New selections from non-western theory and a thoroughly updated twentieth century selection make the book even more diverse and authoritative.
目次
INTRODUCTION TO THEORY AND CRITICISM
GORGIAS OF LEONTINI (ca. 483-376 B.C.E.) 1. From Encomium of Helen
PLATO (ca. 427-ca. 347 B.C.E.)
1. Republic
2.
1. From Book II
2. From Book III
3. From Book VII
4. From Book X
3. From Phaedrus
ARISTOTLE (384-322 B.C.E.)
1. Poetics
2. On Rhetoric
3.
1. Book I
2.
1. From Chapter 2
2. From Chapter 3
3. Book II
4.
1. From Chapter 1
5. Book III
6.
1. From Chapter 2
HORACE (65-8 B.C.E.)
1. Ars Poetica
LONGINUS (first century C.E.)
1. From On Sublimity
AUGUSTINE OF HIPPO (354-430)
1. On Christian Teaching
2.
1. From Book One
2. From Book Two
3. From Book Three
MOSES MAIMONIDES (1135-1204)
1. The Guide of the Perplexed
2.
1. [Introduction to the First Part]
THOMAS AQUINAS (1225-1274)
1. Summa Theologica
2.
1. From Question I
DANTE ALIGHIERI (1265-1321)
1. Il Convivio
2.
1. Book Two
2.
1. Chapter 1
3. From The Letter to Can Grande
GIOVANNI BOCCACCIO (1313-1375)
1. Genealogy of the Gentile Gods
2.
1. Book 14
2.
1. V. Other Cavillers at the Poets and Their Imputations
2. VII. The Definition of Poetry, Its Origin, and Function
3. XII. The Obscurity of Poetry Is Not Just Cause For Condemning It
CHRISTINE DE PIZAN (ca. 1365-ca. 1429)
1. *From Christine's Reaction to Jean de Montrueil's Treatise on the Roman de la Rose
2. The Book of the City of Ladies
3.
1. From Part One
2. From Part Two
JOACHIM DU BELLAY (ca. 1522-1560)
1. The Defense and Enrichment of the French Language
2.
1. First Book
2.
1. Chapters 1-7
3. Second Book
4.
1. Chapters 3-4
GIACOPO MAZZONI (1548-1598)
1. On the Defense of the Comedy of Dante
2.
1. From Introduction and Summary
SIR PHILIP SIDNEY (1554-1586)
1. From The Defence of Poesy
PIERRE CORNEILLE (1606-1684)
1. Of the Three Unities of Action, Time, and Place
JOHN DRYDEN (1631-1700)
1. From An Essay of Dramatic Poesy
APHRA BEHN (1640-1689)
1. The Dutch Lover
2.
1. Epistle to the Reader
3. Preface to The Lucky Chance
GIAMBATTISTA VICO (1668-1744)
1. From New Science
JOSEPH ADDISON (1672-1719)
1. The Spectator, No. 62
2.
1. [True and False Wit]
3. The Spectator, No. 412
4.
1. [On the Sublime]
ALEXANDER POPE (1688-1744)
1. From An Essay on Criticism
SAMUEL JOHNSON (1709-1784)
1. The Rambler, No. 4
2.
1. [On Fiction]
3. The History of Rasselas, Prince of Abyssinia
4.
1. Chapter X. Imlac's History Continued. A Dissertation upon Poetry
5. From Preface to Shakespeare
6. Lives of the English Poets
7.
1. From Cowley
2.
1. [On Metaphysical Wit]
DAVID HUME (1711-1776)
1. Of the Standard of Taste
IMMANUEL KANT (1724-1804)
1. Critique of the Power of Judgment
2.
1. From Introduction
2. From First Book. Analytic of the Beautiful
3. From Second Book. Analytic of the Sublime
EDMUND BURKE (1729-1797)
1. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
2.
1. From Part I. Sections I-VIII.
2. From Part III. Section XXVII.
GOTTHOLD EPHRAIM LESSING (1729-1781)
1. From Laocooen
FRIEDRICH VON SCHILLER (1759-1805)
1. On the Aesthetic Education of Man
2.
1. Second Letter
2. Sixth Letter
3. Ninth Letter
MARY WOLLSTONECRAFT (1759-1797)
1. A Vindication of the Rights of Woman
2.
1. From Chapter II. The Prevailing Opinion of a Sexual Character Discussed
GERMAINE NECKER DE STAEL (1766-1817)
1. From Essay on Fictions
2. On Literature Considered in Its Relationship to Social Institutions
3.
1. On Women Writers (2.4)
FRIEDRICH SCHLEIERMACHER (1768-1834)
1. Hermeneutics
2.
1. Outline of the 1819 Lectures
2. Introduction
3. Part Two. The Technical Interpretation
GEORG WILHELM FRIEDRICH HEGEL (1770-1831)
1. Phenomenology of Spirit
2.
1. [The Master-Slave Dialectic]
3. Lectures on Fine Art
4.
1. From Introduction
WILLIAM WORDSWORTH (1770-1850)
1. Preface to Lyrical Ballads, with Pastoral and Other Poems (1802)
SAMUEL TAYLOR COLERIDGE (1772-1834)
1. Biographia Literaria
2. Part I
3.
1. From Chapter 1
2. From Chapter 4
3. From Chapter 13
4. Part II
5.
1. Chapter 14
PERCY BYSSHE SHELLEY (1792-1822)
1. From A Defence of Poetry
RALPH WALDO EMERSON (1803-1882)
1. From The American Scholar
2. The Poet
EDGAR ALLAN POE (1809-1849)
1. The Philosophy of Composition
KARL MARX (1818-1883) and FRIEDRICH ENGELS (1820-1895)
1. From Economic and Philosophic Manuscripts of 1844
2. From The German Ideology
3. From The Communist Manifesto
4. From Grundrisse
5. From Preface to A Contribution to the Critique of Political Economy
6. Capital, Volume 1
7.
1. From Chapter 1. Commodities
2. From Chapter 10. The Working-Day
8. From Letter from Friedrich Engels to Joseph Bloch
CHARLES BAUDELAIRE (1821-1867)
1. The Painter of Modern Life
2.
1. From I. Beauty, Fashion, and Happiness
2. From III. The Artist, Man of the World, Man of the Crowd, and Child
3. IV. Modernity
4. From IX. The Dandy
5. XI. In Praise of Cosmetics
MATTHEW ARNOLD (1822-1888)
1. The Function of Criticism at the Present Time
2. Culture and Anarchy
3.
1. From Chapter 1. Sweetness and Light
WALTER PATER (1839-1894)
1. Studies in the History of the Renaissance
2.
1. Preface
2. Conclusion
STEPHANE MALLARME (1842-1898)
1. Crisis in Poetry
HENRY JAMES (1843-1916)
1. The Art of Fiction
FRIEDRICH NIETZSCHE (1844-1900)
1. On Truth and Lying in a Non-Moral Sense
2. From The Birth of Tragedy
OSCAR WILDE (1854-1900)
1. Preface to The Picture of Dorian Gray
2. *From The Decay of Lying: An Observation
3. From The Critic as Artist
SIGMUND FREUD (1856-1939)
1. The Interpretation of Dreams
2.
1. From Chapter V. The Material and Sources of Dreams
2. From Chapter VI. The Dream-Work
3. From The "Uncanny"
4. Fetishism
FERDINAND DE SAUSSURE (1857-1913)
1. Course in General Linguistics
2. Introduction
3.
1. From Chapter III. The Object of Linguistics
4. Part One. General Principles
5.
1. Chapter I. Nature of the Linguistic Sign
6. Part Two. Synchronic Linguistics
7.
1. Chapter IV. Linguistic Value
2. Chapter V. Syntagmatic and Associative Relations
W. E. B. DU BOIS (1868-1963)
1. Criteria of Negro Art
LEON TROTSKY (1879-1940)
1. Literature and Revolution
2.
1. The Formalist School of Poetry and Marxism
VIRGINIA WOOLF (1882-1941)
1. A Room of One's Own
2.
1. [Shakespeare's Sister]
2. [Chloe Liked Olivia]
3. [Androgny]
GYOERGY LUKACS (1885-1971)
1. *The Historical Novel
2.
1. From Chapter 1. The Classical Form of The Historical Novel
BORIS EICHENBAUM (1886-1959)
1. From The Theory of the "Formal Method"
T. S. ELIOT (1888-1965)
1. Tradition and the Individual Talent
2. The Metaphysical Poets
JOHN CROWE RANSOM (1888-1974)
1. Criticism, Inc.
MARTIN HEIDEGGER (1889-1976)
1. Language
ANTONIO GRAMSCI (1891-1937)
1. The Formation of the Intellectuals
ZORA NEALE HURSTON (1891-1960)
1. Characteristics of Negro Expression
2. What White Publishers Won't Print
*ERICH AUERBACH (1892-1957)
1. Mimesis: The Representation of Reality in Western Literature
2.
1. Chapter 1. Odysseus's Scar
WALTER BENJAMIN (1892-1940)
1. The Work of Art in the Age of its Technological Reproducibility
MIKHAIL M. BAKHTIN (1895-1975)
1. From Discourse in the Novel
MAX HORKHEIMER (1895-1973) and THEODOR W. ADORNO (1903-1969)
1. Dialectic of Enlightenment
2.
1. From The Culture Industry: Enlightenment as Mass Deception
EDMUND WILSON (1895-1972)
1. *The Historical Interpretation of Literature
ROMAN JAKOBSON (1896-1982)
1. From Linguistics and Poetics
2. Two Aspects of Language and Two Types of Aphasic Disturbances
3.
1. V. The Metaphoric and Metonymic Poles
JACQUES LACAN (1901-1981)
1. The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience
2. From The Agency of the Letter in the Unconscious
3. The Signification of the Phallus
LANGSTON HUGHES (1902-1967)
1. The Negro Artist and the Racial Mountain
JEAN-PAUL SARTRE (1905-1980)
1. What Is Literature?
2.
1. Why Write?
CLEANTH BROOKS (1906-1994)
1. The Well Wrought Urn
2.
1. Chapter 11. The Heresy of Paraphrase
WILLIAM K. WIMSATT JR. (1907-1975) and MONROE C. BEARDSLEY (1915-1985)
1. The Intentional Fallacy
2. The Affective Fallacy
SIMONE DE BEAUVOIR (1908-1986)
1. The Second Sex
2.
1. Chapter XI. Myth and Reality
CLAUDE LEVI-STRAUSS (b. 1908)
1. Tristes Tropiques
2.
1. Chapter 28. A Writing Lesson
J. L. AUSTIN (1911-1960)
1. Performative Utterances
NORTHROP FRYE (1912-1991)
1. The Archetypes of Literature
ROLAND BARTHES (1915-1980)
1. Mythologies
2.
1. Photography and Electoral Appeal
3. The Death of the Author
4. From Work to Text
LOUIS ALTHUSSER (1918-1990)
1. From Ideology and Ideological State Apparatuses
PAUL DE MAN (1919-1983)
1. Semiology and Rhetoric
*C. D. NARASIMHAIAH (1919-2005)
1. Towards the Formulation of a Common Poetic for Indian Literatures Today
IRVING HOWE (1920-1993)
1. History and the Novel
HANS ROBERT JAUSS (b. 1921)
1. From Literary History as a Challenge to Literary Theory
RAYMOND WILLIAMS (1921-1988)
1. *Base and Superstructure in Marxist Cultural Theory
FRANTZ FANON (1925-1961)
1. The Wretched of the Earth
2.
1. From On National Culture
GILLES DELEUZE (1925-1995) and FELIX GUATTARI (1930-1992)
1. Kafka: Toward a Minor Literature
2.
1. From Chapter 3. What Is a Minor Literature?
3. A Thousand Plateaus: Capitalism and Schizophrenia
4.
1. From Introduction: Rhizome
JEAN-FRANCOIS LYOTARD (1925-1998)
1. Defining the Postmodern
MICHEL FOUCAULT (1926-1984)
1. What Is an Author?
2. Discipline and Punish: The Birth of the Prison
3.
1. The Carceral
4. The History of Sexuality, Volume 1, An Introduction
5.
1. Part Two: The Repressive Hypothesis
2.
1. Chapter 1. The Incitement to Discourse
2. Chapter 2. The Perverse Implantation
WOLFGANG ISER (1926 - 2007)
1. Interaction between Text and Reader
HAYDEN WHITE (b. 1928)
1. The Historical Text as Literary Artifact
JEAN BAUDRILLARD (1929-2007)
1. From The Precession of Simulacra
JUERGEN HABERMAS (b. 1929)
1. *The Public Sphere: An Encyclopedia Article
2. Modernity-An Incomplete Project
ADRIENNE RICH (b. 1929)
1. From Compulsory Heterosexuality and Lesbian Existence
CHINUA ACHEBE (b. 1930)
1. An Image of Africa: Racism in Conrad's Heart of Darkness
*ADUNIS (B. 1930)
1. An Introduction to Arab Poetics
2.
1. From Chapter 1. Poetics and Orality in The Jahiliyya
2. From Chapter 4. Poetics and Modernity
HAROLD BLOOM (b. 1930)
1. The Anxiety of Influence
2.
1. Introduction. A Meditation upon Priority, and a Synopsis
2. Interchapter. A Manifesto for Antithetical Criticism
PIERRE BOURDIEU (b. 1930-2002)
1. Distinction: A Social Critique of the Judgement of Taste
2.
1. Introduction
3. *Rules of Art: Genesis and Structure of the Literary Field
4.
1. Part I. From Chapter 2
2. Part III. From Chapter 1
JACQUES DERRIDA (1930-2004)
1. Of Grammatology
2.
1. Exergue
2. The Exorbitant. Question of Method
3. Dissemination
4.
1. Plato's Pharmacy
2.
1. I
2.
1. 1. Pharmacia
2. 2. The Father of Logos
3. 4. From The Pharmakon
4. 5. The Pharmakeus
3. II
4.
1. 9. From Play: From the Pharmakon to the Letter and from Blindness to the Supplement
5. *Specters of Marx
6.
1. From Chapter 1. Injunctions of Marx
2. From Chapter 3. Wears and Tears
*ZEHOU LI (b. 1930)
1. Four Essays on Aesthetics: Twoard a Global View
2.
1. Chapter 8. The Stratification of Form and Primitive Sedimentation
RICHARD OHMANN (b. 1931)
1. From The Shaping of a Canon: U.S. Fiction, 1960-1975
STUART HALL (b. 1932)
1. Cultural Studies and Its Theoretical Legacies
BARBARA HERRNSTEIN SMITH (b. 1932)
1. Contingencies of Value
2.
1. Chapter 3. Contingencies of Value
FREDRIC JAMESON (b. 1934)
1. The Political Unconscious: Narrative as a Socially Symbolic Act
2.
1. Preface
2. From Chapter 1. On Interpretation: Literature as a Socially Symbolic Act
3. Postmodernism and Consumer Society
EDWARD W. SAID (1935-2003)
1. Orientalism
2.
1. Introduction
3. *Culture and Imperialism
4.
1. Chapter 2, Section 2, Jane Austen and Empire
MONIQUE WITTIG (1935-2003)
1. One Is Not Born a Woman
*BENEDICT ANDERSON (b. 1936)
1. Imagined Communities: Reflection on the Origin and Spread of Nationalism
2.
1. Chapter 3. The Origins of National Consciousness
SANDRA M. GILBERT (b. 1936) and SUSAN GUBAR (b. 1944)
1. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination
2.
1. From Chapter 2. Infection in the Sentence: The Woman Writer and the Anxiety of Authorship
HELENE CIXOUS (b. 1937)
1. The Laugh of the Medusa
GERALD GRAFF (b. 1937)
1. Taking Cover in Coverage
STANLEY E. FISH (b. 1938)
1. Interpreting the Variorum
NGUGI WA THIONG'O (b. 1938), TABAN LO LIYONG (b. 1939), HENRY OWUOR-ANYUMBA (1932-1992)
1. On the Abolition of the English Department
TZVETAN TODOROV (b. 1939)
1. Structural Analysis of Narrative
PAULA GUNN ALLEN (1939-2008)
1. Kochinnenako in Academe: Three Approaches to Interpreting a Keres Indian Tale
*KOJIN KARATANI (b. 1941)
1. Origins of Modern Japanese Literature
2.
1. From Chapter 1. The Discovery of Landscape
ANNETTE KOLODNY (b. 1941)
1. Dancing through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism
JULIA KRISTEVA (b. 1941)
1. Revolution in Poetic Language
2.
1. From Part I. The Semiotic and the Symbolic
LAURA MULVEY (b. 1941)
1. Visual Pleasure and Narrative Cinema
GLORIA ANZALDUA (1942-2004)
1. Borderlands/La Frontera: The New Mestiza
2.
1. Chapter 7. La conciencia de la mestiza: Towards a New Consciousness
GAYATRI CHAKRAVORTY SPIVAK (b. 1942)
1. A Critique of Postcolonial Reason
2.
1. From Chapter 3. History
2. [Can the Subaltern Speak?]
TERRY EAGLETON (b. 1943)
1. Literary Theory: An Introduction
2.
1. From Chapter 1. The Rise of English
STEPHEN GREENBLATT (b. 1943)
1. *From Resonance and Wonder
BARBARA CHRISTIAN (1943-2000)
1. The Race for Theory
*N. KATHERINE HAYLES (b. 1943)
1. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics
2.
1. Chapter 2. Virtual Bodies and Flickering Signifiers
DONNA HARAWAY (b. 1944)
1. A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s
BARBARA SMITH (b. 1946)
1. Toward a Black Feminist Criticism
BARBARA JOHNSON (1947-2009)
1. From Melville's Fist: The Execution of Billy Budd
*BRUNO LATOUR
1. Why Has Critique Run Out of Steam? From Matters of Fact to Matters of Concern
*MARTHA C. NUSSBAUM (b. 1947)
1. Cultivating Humanity: A Classical Defense of Reform in Liberal Education
2.
1. Chapter 3. The Narrative Imagination
BONNIE ZIMMERMAN (b. 1947)
1. What Has Never Been: An Overview of Lesbian Feminist Literary Criticism
SUSAN BORDO (b. 1947)
1. Unbearable Weight: Feminism, Western Culture, and the Body
2.
1. Chapter 5. The Body and the Reproduction of Femininity
HOMI K. BHABHA (b. 1949)
1. The Commitment to Theory
*GAYLE RUBIN (b. 1949)
1. From Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality
*SLAVOJ THITHEK (b. 1949)
1. Courtly Love, or, Woman as Thing
HENRY LOUIS GATES JR. (b. 1950)
1. Talking Black: Critical Signs of the Times
*FRANCO MORETTI (b. 1950)
1. Graphs, Maps, Trees: Abstract Models for A Literary History
2.
1. Chapter 1. Graphs
EVE KOSOFSKY SEDGWICK (b. 1950)
1. Between Men: English Literature and Male Homosocial Desire
2.
1. From Introduction
3. Epistemology of the Closet
4.
1. From Introduction: Axiomatic
DICK HEBDIGE (b. 1951)
1. Subculture: The Meaning of Style
2.
1. *Chapter 6. Subculture: The Unnatural Break
STEVEN KNAPP (b. 1951) and WALTER BENN MICHAELS (b. 1948)
1. Against Theory
BELL HOOKS (b. Gloria Jean Watkins, 1952)
1. Postmodern Blackness
*LISA LOWE (b. 1955)
1. Work, Immigration, Gender: New Subjects of Cultural Politics
*PAUL GILROY (b. 1956)
1. The Black Atlantic: Modernity and Double Consciouness
2.
1. From Chapter 1. The Black Atlantic as a Counterculture of Modernity
3. Cultural Studies in Black and White
JUDITH BUTLER (b. 1956)
1. Gender Trouble
2.
1. From Preface
2. From Chapter 3. Subversive Bodily Acts
*ANDREW ROSS (b. 1956)
1. From The Mental Labor Problem
*LAUREN BERLANT (b. 1957) and MICHAEL WARNER (b. 1958)
1. Sex in Public
*MICHAEL HARDT (b. 1960) and ANTONIO NEGRI (b. 1933)
1. Empire
2.
1. Part 2. From Section 4. Symptoms of Passage
*JUDITH HALBERSTAM (b. 1961)
1. The Good, The Bad, and the Ugly: Men, Women, and Masculinity
SELECTED BIBLIOGRAPHY OF THEORY AND CRITICISM
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