Georgian easel painting (second half of the 18[th] century to the 1920's)
著者
書誌事項
Georgian easel painting (second half of the 18[th] century to the 1920's)
(Focus on civilizations and cultures, painting series)
Nova Science Publishers, c2009
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
On t.o. "[th]" is supersubscript
内容説明・目次
内容説明
This richly illustrated book presents a study of Georgian easel painting (2nd half of the 19th century -- 1st quarter of the 20th century) in connection with Russian and European art. The definition of its artistic peculiarity with respect to the common European artistic process is an important problem of modern Georgian art criticism. Beginning with the renaissance European culture and easel painting have followed a centuries-old path of stylistic evolution and despite the heterogeneous development of European painting, general artistic processes occurred simultaneously in different European countries, in which the historical unity of European painting is manifested. In the second half of the 18th century Georgia witnessed acceleration, contraction, uneven development of this centuries-old process due to the specific character of the political, social and economic development of Georgia, quite different from that of other countries. Georgian easel painting has no clearly defined regularities of stylistic development. Parallelism of various stylistic tendencies or artistic trends, their merging instead of alternation taking place within the narrow chronological limits of its development, complicates the specification of stylistic peculiarities of painting of this period. The purpose of this book is to define basic artistic and stylistic tendencies of Georgian easel painting in relation to its contemporary Russian and European painting on the basis of the application of typological and comparative methods.
目次
- Introduction
- The Early Stage of Georgian Easel Painting and the Work by the Old Generation of Painters
- Georgian Easel Painting in the Work of the Second-Generation Painters
- Conclusion.
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