Aspects of the secular cantata in late Baroque Italy

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Aspects of the secular cantata in late Baroque Italy

edited by Michael Talbot

Ashgate, c2009

Available at  / 3 libraries

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Note

Includes bibliographical references (p. [371]-391) and indexes

Contents of Works

  • The when and how of arioso in Stradella's cantatas / Carolyn Gianturco
  • A lost volume of cantatas and serenatas from the "Original Stradella collection" / Colin Timms
  • Narration, mimesis and the question of genre : dramatic approaches in Giovanni Legrenzi's solo cantatas, Opp. 12 and 14 / Hendrik Schulze
  • A tale of two cities : cantata publication in Bologna and Venice, c.1650-1700 / Reinmar Emans
  • "Al tavolino medesimo del compositor della musica" : notes on text and context in Alessandro Scarlatti's cantate da camera / Norbert Dubowy
  • Bononcini's "agreeable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells)" / Lowell Lindgren
  • The "humble" and "sublime" genres, the pastoral and heroic styles : rhetorical metamorphoses in Benedetto Marcello's cantatas / Marco Bizzarini
  • Investigations into the cantata in Naples during the first half of the eighteenth century : the cantatas by Leonardo Vinci contained in a "Neapolitan" manuscript / Giulia Veneziano
  • The orchestral French cantata (1706-1730) : performance, edition and classification of a neglected repertory / Graham Sadler
  • Patterns and strategies of modulation in cantata recitatives / Michael Talbot
  • "Imitando l'arietta, ò altro allegro, cantato di fresco" : keyboard realization in Italian continuo arias / Giulia Nuti
  • The revival of the Italian chamber cantata on disc : models and trends / Giulia Nuti

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