Georgia O'Keeffe : color and conservation
著者
書誌事項
Georgia O'Keeffe : color and conservation
(The Annie Laurie Swaim Hearin memorial exhibition series)
Mississippi Museum of Art in association with Penn State University Press, c2006
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalog of an exhibition at the Mississippi Museum of Art, Jackson, Feb. 4-May 29, 2006; Georgia O'Keeffe Museum, Santa Fe, June 16-Sept. 10, 2006; Memorial Art Gallery, Univ. of Rochester, N.Y., Sept. 30-Dec. 31, 2006
Includes bibliographical references
収録内容
- About Annie Laurie Swaim Hearin
- Acknowledgments / Betsy Bradley
- Lenders to the exhibition
- Introduction / René Paul Barilleaux
- Georgie O'Keeffe: color and conservation / Sarah Whitaker Peters
- Painter and conservator: a collaboration / Dale Kronkright
- Pastel, Georgia O'Keeffe, and conservation / Judith C. Walsh
- The letters
- Color and conservation: works in the exhibition
- Color and conservation: exhibition checklist
内容説明・目次
内容説明
Georgia O'Keeffe (1887-1986) has become one of America's best-known artists. This book, which accompanies an exhibition of the same name, centers on O'Keeffe's efforts to ensure proper conservation of the fragile surfaces of her paintings of bones, flowers, and landscapes. Based on previously unpublished correspondence between O'Keeffe and distinguished conservator Caroline Keck, this catalogue from the Mississippi Museum of Art presents entirely new information about the relationship between O'Keeffe's aesthetic vision and her distinctive handling of paint and pastel. O'Keeffe's use of color has long been regarded as a source of the great emotional power that animates her abstract renderings of natural forms. But, little was known about her techniques, because she surrounded her studio practices with a wall of secrecy. Her correspondence with Keck reveals that she was surprisingly traditional, sometimes making her own color chips and pastel sticks and even at times grinding her own pigments. The essays in "Georgia O'Keeffe: Color and Conservation" consider the artist's enduring love of the very substance of color.
Through close analysis of paintings and pastels with a continuous history of conservation, the essays document O'Keeffe's and Keck's painstaking efforts to restore damaged art to its original state. The discussion and accompanying illustrations will give readers an expanded understanding of the subtle beauty and diversity of O'Keeffe's painting methods.
目次
- Sarah Whitaker Peters, Georgia O'Keeffe: Color and Conservation
- Dale Kronkright, Painter and Conservator: A Collaboration
- Judith C. Walsh, Pastel, Georgia O'Keeffe, and Conservation
- The exhibition Georgia O'Keeffe: Color and Conservation is on view at the Mississippi Museum of Art February 4-May 29, 2006. It will then travel to the Georgia O'Keeffe Museum in Santa Fe, New Mexico, June 16-September 10, 2006, and to the Memorial Art Gallery at the University of Rochester, September 30-December 31, 2006.
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