Viennese Jewish modernism : Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler
著者
書誌事項
Viennese Jewish modernism : Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler
（Refiguring modernism, 10）
Pennsylvania State University Press, c2009
- : pbk
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注記
Bibliography: p. [213]-220
Includes index
内容説明・目次
内容説明
In Viennese Jewish Modernism, Abigail Gillman challenges the conventional understanding of modernism as simply a break from tradition. Until recently, the study of Jewish modernism has centered on questions of Jewish and non-Jewish identity, generally ignoring the role Judaism played in the formulation of European modernism as a whole. By focusing on the works of major Viennese authors and thinkers-Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler-both within and outside the contexts of Jewish identity, Abigail Gillman provides a profound new perspective on modernism.
Viennese Jewish Modernism draws together three central turn-of-the-century cultural phenomena: the breakdown of traditional modes of transmitting the past to the present; the unprecedented Jewish contribution to Viennese culture as a whole; and the development of a specifically Jewish modernism in Europe. Through her consideration of the larger questions of memorialism and memory, the construction of history and identity, and the nature of modernism, Gillman demonstrates that modernism is powerfully drawn to the past and actively engaged with tradition.
目次
Contents
List of Illustrations
Acknowledgments
Introduction: The Origins of Viennese Jewish Modernism
Part 1: Genres of Memory
1. Freud's Modernism in A Childhood Memory of Leonardo da Vinci (1910), "The Moses of Michelangelo" (1914), and Moses and Monotheism (1938)
2. Hofmannsthal's Jewish Pantomime: Der Schuler (The Student, 1901)
Part 2: Hybrid Plots, Virtual Jews
3. How a Viennese Modernist Becomes a Jew: Beer-Hofmann's Der Tod Georgs (The Death of Georg, 1900)
4. Anatomies of Failure: Jewish Tragicomedy in Schnitzler's Der Weg ins Freie (The Road into the Open, 1908) and Professor Bernhardi (1912)
Part 3: Performing the Hebrew Bible
5. Mythic Memory Theater and the Problem of Jewish Orientalism in Hofmannsthal's Ballet Josephslegende (Legend of Joseph, 1912)
6. The Forgotten Modernism of Biblical Drama: Beer-Hofmann's Die Historie von Koenig David (The History of King David, 1918-33)
Conclusion
Notes
Bibliography
Index
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