Hearing the mermaid's song : the Umbanda religion in Rio de Janeiro
著者
書誌事項
Hearing the mermaid's song : the Umbanda religion in Rio de Janeiro
University of New Mexico Press, 2009
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 176-184) and index
内容説明・目次
内容説明
The Umbanda religion summons the spirits of old slaves and Brazilian Indians to speak through the mouths of mediums in trance. Its practitioners worship African gods, often calling them by the names of Catholic saints; simultaneously embrace the concepts of karma, reincarnation, and Christian charity; and believe in the capacities of both modern science and ancient magic. A relatively new religion dating to the beginning of the twentieth century, Umbanda has its origins in Rio de Janeiro and its surrounding urban areas where Afro-Brazilians, many ex-slaves or the descendants of slaves, practice versions of the religion handed down to them by their ancestors. Umbanda's popularity has grown tremendously over the past century, attracting not only those who seek the assistance of spirits in solving problems in their lives, but those in pursuit of a path to a rich spiritual life and a fellowship of faith and service. Over the course of nearly a decade, Lindsay Hale spent countless hours attending rituals and festivals and interviewing participants of Umbanda, immersing himself in this fascinating religious world. In describing its many aspects and exploring its unique place within the lives of a wide variety of practitioners, Hale places Umbanda spiritual beliefs and practices within the broader context of Brazilian history and culture.
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