Rififi : Jules Dassin, 1955
Author(s)
Bibliographic Information
Rififi : Jules Dassin, 1955
(Ciné-files : French film guides)
I.B. Tauris , Distributed in the United States and Canada exclusively by Palgrave Macmillan, 2009
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [113]-115
Includes index
Description and Table of Contents
Description
"Du rififi chez les hommes" (1955), directed by the exiled American film director Jules Dassin, recounts the nail-biting tale of a Parisian gangster heist gone wrong. Famed for its extended dialog free robbery sequence, it is both a classic French film noir and one of the greatest, most influential crime films. In this lively companion to the film, Alastair Phillips reveals Dassin's role as a director of socially conscious Hollywood film noir and argues that his seminal contribution to the regeneration of the thriller in post war France therefore uniquely complicated relations between French genre cinema and American mass culture. Phillips also examines the film's innovative narrative construction and use of sound, its performance style and mise-en-scene, and discusses the film's legacy, showing how even today, the term 'Rififi' remains a byword for both criminal glamor and the enduring virtues of French popular classical film making.
Table of Contents
Contents
Acknowledgements
Synopsis
I: Introduction
II: The Route to Rififi
A Cosmopolitan Life
Hollywood and Film Noir
The Politics of Exile
The Tradition of French Film Noir
Auguste le Breton and the Serie Noire
Production History
III: Reading Rififi
Beginnings
Du rififi chez les hommes and the Aesthetics of the Heist Thriller
Space and Genre: the Nightclub
Space and Genre: the City
Men and Trouble
A Transnational Film Noir?
IV: Reviewing Rififi
A Surprise Success
'A Film Without Indulgence'
The Politics of Realism
Audiences, Trade and Culture
V: Reviving Rififi
After Du rififi chez les hommes
Influences
The Rififi Brand
Rififi Returns
Appendix 1: Credits
Appendix 2: Jules Dassin Filmography
Appendix 3: Auguste le Breton Filmography
Appendix 4: Films referred to in the book
Appendix 5: 'Rififi a travers le monde' Bibliography
Appendix 6: Select Bibliography
by "Nielsen BookData"