Gods of Angkor : bronzes from the National Museum of Cambodia
著者
書誌事項
Gods of Angkor : bronzes from the National Museum of Cambodia
Arthur M. Sackler Gallery, Smithsonian Institution , Distributed in Southeast Asia by Silkworm Books , Distributed worldwide by University of Washington Press, c2010
- : [Arthur M. Sackler Gallery] pbk
- : [University of Washington Press] pbk
- : [Silkworm Books] pbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published on the occasion of an exhibition held at the Arthur M. Sackler Gallery, Smithsonian Institution, May 15, 2010-Jan. 23, 2011, the J. Paul Getty Museum, Los Angeles, Feb. 22-Aug. 14, 2011
Other essays author: John Guy, Paul Jett, Hiram Woodward
収録内容
- Bronze drums, urns and bells in the early metal age of Southeast Asia / Ian C. Glover
- Bronze sculptures of ancient Cambodia / Hiram Woodward
- A technical study of the Kompong Cham figure group / Paul Jett
- Angkorian metalwork in the temple setting : icons, architectural adornment and ritual paraphernalia / John Guy
内容説明・目次
内容説明
A remarkable group of seven bronze figures was unearthed in Kampong Cham province, Cambodia, in 2006. These sixth- and seventh-century Buddhist sculptures, two of which were Chinese, ultimately were acquired by the National Museum of Cambodia. There they became one of the first projects of the institution's Metal Conservation Laboratory, created with the assistance of the Department of Conservation and Scientific Research at the Freer Gallery of Art and Arthur M. Sackler Gallery.
Gods of Angkor celebrates not only the collaborative efforts of the Cambodian and U.S. museums to restore and interpret these important images, but also the accomplishments of Khmer bronze casters from the fourth century BCE to the fourteenth century CE. The authors decipher the makeup and meaning of bronze figural images, ritual vessels, and other objects, placing them in the context of Southeast Asian life and worship from prehistoric times through the pre-Angkorian and Angkorian eras. Together, the bronzes reveal vivid details of the significance of this important medium within Khmer culture and of the artistic and religious interactions of the Khmer with their neighbors.
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